The Communication Field Of The Study Of The Peony Pavilion

The Peony Pavilion is a peak in the history of Chinese traditional opera. She comes from theThe West Chamber, and has strong influence on the Dream. Since her birth date, people’sappreciation, criticism and adaptation, has never stopped. People have concerned about her in anera of spreading. This article studies from the following areas.Chapter one is the research on "the text transmission of the Peony Pavilion". Tang Xianzu’sfamily, learning and making friends on the creation of the Peony Pavilion plays a crucial role. Itcan be said that Tang Xianzu is the most critical and core factors of text communication of thePeony Pavilion. The Peony Pavilion depicts the love of life and death of Du Liniang and LiuMengmei, highlighting the most genuine feeling. During the Ming and Qing dynasties, manyversions and adaptations of the Peony Pavilion, describe the text spread prosperity of the PeonyPavilion.Chapter two is the research on "stage of dissemination of the Peony Pavilion". Numerousoperatic sings of the Peony Pavilion,such as Yihuang Chamber, Transfer Chamber, the NewChamber, the PI Chamber, Henan Opera, Kunqu Opera; At that time, many masters singed of thePeony Pavilion,such as Yi ling, famous actors of the troupe,and Women play Actress. The PeonyPavilion on the stage leaves color spill, winds, and becomes unique cultural consumption practicesof the time.Chapter three is the research on "The scholars ’ comments on the dissemination of the PeonyPavilion". Tang Xianzu’s friends and scholars comment on the Peony Pavilion. Their commentswere on the various forms,such as Prefaces and Postscripts, Headnote, Inscriptions, Poems, wholepapers ’ reviews and comments. Some explained the work and the author, some guiding thepositive or negative role for readers, some promoted the work, some borrowed the workimproving the visibility. Their comments are mainly concentrated in Most genuine feeling theme,characters in the play,Diction tunes and Sekime.Chapter four is the research on " Boudoir dissemination on the Peony Pavilion". The socialstatus of women drops to record low In Ming and Qing dynasties. But due to the budding ofcapitalism, the emergence of enlightenment thought, and for their advocacy of scholar-officials,women could have the opportunity to showcase their talent.They had a sense of self. Someboudoir educated women had the courage to pursue their own happiness, freedom and rights."Angry sigh" Yu Erniang,"dead-bashing" shangxiaoling,"original genius woman" inner woman,"the Peony Pavilion song dying for" Golden Phoenix gold inlaid work,"portrait of self sacrifice,dressing died sitting" Feng Xiaoqing, Thinking of Du Liniang really and altaring wine fruit at home-one of the three ladies of honour Qian Yi. They read the Peony Pavilion is because ofemotional needs, the desire for love and marriage self.Chapter five is the research on"The modern version of the Peony Pavilion: The youth versionof the Peony Pavilion". Mr Bai Xian-Yong’s arrangement of the Peony Pavilion caused acommunication carnival. This became the most famous cultural event in the history of the PeonyPavilion and the Kunqu Opera. Youth version of the Peony Pavilion at the commercialperformance and campus tour was a huge success. It won the bumper on the box office and Wordof mouth. Mr Bai Xian-Yong’s arrangement erecting a bridge of the Peony Pavilion as thebeautiful classical and modern youth. Mr Bai Xian-Yong upholds the youth version of the"Orthodox, Orthodox, and upright", deleting and not changing. The integration is as follows:refinement of drama threads,classical opera reservations, equality between women and men.Dissemination of successful strategies provides a guarantee for the mass dissemination of Youthversion of the Peony Pavilion.In communication field of the study of the Peony Pavilion, it provides new ideas and newmethods for the study of the Peony Pavilion. At the same time, it contributes to the spread of thePeony Pavilion in turn.