Research On The Development Of Guizhou Oil Painting

The National Art Exhibition is the most iconic,authoritative and academic national-level exhibition of art in our country.It is currently the largest and most comprehensive art exhibition of fine arts in China's art community.The National Art Exhibition" had been held for four times prior to the "Cultural Revolution",it was closed during the "Culture Revolution" period,the fifth restoration and re-establishment in 1979,the sixth in 1984 was on the right track,and the scale of the exhibition is more formalized,and it has reached a large extent of leap and development;Therefore his paper takes the 6th National Art Exhibition as the research starting point,and the research object is defined as the main research object which is mainly composed of the Guizhou oil paintings exhibited in the sixth to the twelfth national art exhibitions.The National Art Exhibition is the ruler of art development in all provinces.The Guizhou oil paintings exhibited in the national art exhibition can show the development of Guizhou oil painting.The main content of the paper is divided into four parts: firstly part,the illustration and analyze of the development of Guizhou oil paintings is conducive to the development history,regional characteristics and cultural background of Guizhou oil painting and sort out its relationship with the national art exhibition.Secondly parts,to analyze the National Art Exhibition on the theme,exhibition mechanism and changes of mass aesthetic,to deeply grasp the exhibition mechanism of the National Art Exhibition and to explore its relationship and influence on Guizhou oil paintings;Thirdly,to make a statistical analysis of the Guizhou oil paintings that were exhibited in the sixth to the twelfth national art exhibitions;to conclude and summarize the development of Guizhou oil paintings in the National Art Exhibition;Fourthly parts,on the basis of the sixth to the twelfth national art exhibitions,this paper analyzes the opportunities and challenges Guizhou oil painting facing in the course of social modernization.Through the study of these four parts,The purpose is to the value of Guizhou minority culture and folk culture can be tapped,exploring and combing the themes of Guizhou oil painting,study the charm and value of Guizhou oil painting.The discussion of Guizhou oil painting is full of vitality in contemporary society.This isalso the opportunity and challenge Guizhou oil painting facing in the course of modernization.