A Study On Li Yu’s Dramatizations

Li Yu is renowned for his achievements in the field of opera creation and theoretical studies.His monograph Xianqing ouji is even more popular.At the same time,Li Yu also has his side as a novelist and literary critic.Standing at the novelist’s point of view,the concept of"silent operas" created by Li Yu makes him an extremely close connection between these two literary styles.Many of Li Yu’s plays are derived from his novels.From the perspective of literary criticism,Li Yu appreciates and comments on the other’s creation of his predecessors,and makes innovations on these existing works.Through personal adaptation and transformation of these existing works,Li Yu directly applies his own aesthetic taste to his predecessors Soil.For researchers,if we can tell the difference between the original works and Li Yu’s adaptation works,we will surely have a more scientific understanding of Li Yu’s concepts of literary creation.This article tries to make a direct comparison between the original works of Li Yu and the original adaptation works.Starting from the same original material,this paper analyzes the changes before and after Li Yu’s adaptation work from the aspects of plot,structure,role and purpose,Specific means of operation,with a view to Li Yu creative concept of opera to make a clear dialectical.This paper is divided into four chapters:The first chapter is based on the works of Li Yu’s own internal works as the object of comparisons,based on the plots,characters,structures and thematic thoughts,and directly examines the changes before and after the adaptation,Differences in dramatic writing.The second chapter is based on the works of non-Li Yu as the base of the opera,comparing with the severity of the changes,starting from the five aspects of plot,character,theme,Implanted in their own aesthetic concepts,so that the text into their own works.The third chapter enters the stage of overall examination.From the commonness shown by the works of internal adaptation and external adaptation,the theme diversity,aesthetic secularity and comedy tendency presented by Li Yu’s dramatic creation are found out,and each feature is made A detailed explanation.The fourth chapter is for further research.When Li Yu adapted his works from blue to opera,after establishing his own tendency of dramatic creation,what specific measures were applied to accomplish these tendencies?His theory of opera corresponds;these adaptation methods are the practical methods of Li Yu’s theory of opera creation.