For Mao Zedong’s Poetry Comparison And Study Of Qing Two Chorus Music And Music Characteristics Of "QingPingYue LiuPanShan"

MAO zedong is a great statesman and strategist in China,and he is also a great and excellent poet in Chinese history.MAO zedong’s poetry mostly researched topic,popular,majestic,and finally to the People’s Republic of China has brought the infinite vitality and hope,is the masses of the Chinese people’s spiritual sustenance and spiritual.It can be said that MAO zedong’s poems and poems are a true reflection of the arduous course of the great Chinese revolution.This thesis with MAO zedong’s classical poetry the qingping le LiuPanShan "and Zheng Lv into,ford,respectively,set the qingping le LiuPanShan" two part-song as the research object,this paper expounds the MAO’s poetry "qingping le LiuPanShan",the background and Zheng Lv into and ford,two famous composer’s life and creation of the two versions of the part-song conducted in-depth analysis of the music,then the two part-song their music characteristic has carried on the detailed comparison,to enrich the chorus works of MAO zedong poetry of the existing research results,And for the majority of music scholars and music lovers deeper understanding Zheng Lv into and ford two outstanding composer of music creation techniques provide theoretical material,thus make more musicians can in the future of the essence of the two composers of the music creation of,our advantage,for the development of Chinese music more greater contribution.Although Zheng Lv into and ford the two composers in the same era,but they are for MAO zedong’s poetry "qingping le LiuPanShan" music styles and techniques are very different,each has its own characteristics.This paper mainly analyzes and studies the two choral songs of qingping yue liupanshan composed by zheng lucheng and tian feng respectively from the following aspects:The first chapter is the introduction part,mainly expounds the research purpose of this paper and the research significance,at home and abroad are introduced for the works of MAO zedong poetry and choric of MAO zedong poetry related thesis research dynamic,and the research methods and innovation of this paper.Poetry in the second chapter expounds MAO zedong "qingping le LiuPanShan"at the time of the historical background,and then to Zheng Lv into,ford ii composer’s life and creation of a more detailed summary,and expounds the Zheng Lv into,ford respectively set two versions of the qingping le LiuPanShan "choric background and the main influence.The third chapter to Zheng Lv into and ford two composers for MAO zedong’s poems to music part-song the qingping le LiuPanShan "as the research object,from the rhythm,melody,mode,tonality,harmony,music terminology,singing and music style of two part-song these seven aspects are thoroughly analyzed,respectively.The fourth chapter compares the Zheng Lv into and ford for MAO zedong’s poems to music part-song the qingping le LiuPanShan,rhythm,melody,mode,tonality,harmony,music terminology,singing and music style in music characteristics of these a few respects respectively,two people are obviously different on creation,synthetic Zheng Lv into at the time of writing is the use of western big minor,and Tian Fengze is joined the first Chinese folk music element USES the mode of Chinese nations,and then go to the western big minor.Both composers adopted western harmonies in harmony.In terms of singing,zheng lucheng chose tenor lead singer and male and female vocal accompaniment.Tian feng chose a soprano lead,a male and female four-part accompaniment.Music is a grand style.Qing ping music · liupanshan written by zheng rucheng is a marching style with strong rhythm and clear rhythm.Tian feng composed qingping music ·liupanshan,adding elements of Chinese folk songs,with free rhythm and melodious melody.The fifth chapter is the conclusion part,and the whole thesis is sorted out,summarized and summarized.