Between Theory And Practice:Philosophical Basis And Evolution On "Aesthetics Of Everyday Life"

“Aesthetics of everyday life” is a prominent cultural phenomenon in the current society.From a factual level,it brings many aesthetic factors that make up art into the scope of daily life,and permeates aesthetic characteristics to the numerous performance of daily life.From the theory facet,its appearance breaks the ontological stipulations of the artistic judgment from traditional appreciation between art and daily life in history.Consequently,on the one hand,the current research on “Aesthetics of everyday life” is a broad area about aesthetics descend from sociology;on the other hand,from the viewpoint of values,the researchers hope that the “Aesthetics of everyday life” could get rid of the consumption ideology clamp.These theses are profound and specific.However,criticism is not sufficient in theory.First of all,“aesthetics of everyday life” is a man-made historical phenomenon.From its birth,it has a practical dimension,and as far as it has been an aesthetic proposition,it requires participation of human beings.Therefore,to explore the potential of “Aesthetics of everyday life” should be from theory to action.On the whole,the current “aesthetics of everyday life” is lack of communication in the process.Based on this background and assumptions,this thesis intends from four chapters to make a preliminary attempt on this task of communication.The introduction part summarizes the research status of “aesthetics of daily life”,and clarifies the relevant background and the main contents of this study.The first chapter mainly discusses“aesthetics of daily life” that originates from sociology.its legitimacy based on breaking the Kant's aesthetics hypothesis,namely,breaking the principle of appreciation without utilitarian,breaking away from non-epistemology,While at the same time pointing out the shortcomings of the epistemology and the universality of experience in the sociological aesthetics requirements.The second chapter is mainly based on Featherstone's three kinds of “aesthetics of everyday life”,the method of Bourdieu's sociological aesthetics,making the art sub-culture practices,lifestyles Culture to be a critical inspection.Art sub-culture practice has caused the integration of art and daily life at the fact level,but its later theory initiatives are far away from daily life.The aesthetics lifestyle and consumer culture owe into the effect of cultural separation,so this kind of “aesthetics of everyday life” has not a equal meaning.The third chapter focuses on the exposition of “aesthetics of everyday life” under the development of aesthetics derive from sociology and its possible shortcoming of life poetic.First,the appreciation of scientific epistemology is a standard of unattended participation,social aesthetics faces the risk of deconstruction;Second,the universality of the experience of social aesthetics is a pseudo-proposition;Third,life poetic is possible to establish the meta-value position of practice dimension.The fourth chapter mainly elaborates two parts: first,the stipulation of “aesthetics of everyday life” under the standpoint from Ontology;second,this theory has the function of summoning through language and action,Therefore,the “aesthetics of everyday life” of poetic from Ontology would lead the thesis to the dimension of practice.