| When the Chinese expression symbol “Chinese nationality” was written in modern Chinese literature,the presence of the metaphysical discourse “Chinese character” was always involved in the whole process of value judgment,value intention and personality configuration of the “Chinese national character” writing.Therefore,to explore the dynamic changes of the “Chinese character” in western metaphysical discourse,we can see the “original horizon” and “form of speech” formed by it and its established “boundary conditions,” “value judgments,” “value intentions,” "Value order" and "modality preference";static analysis holds the metaphysical nature of the discourse of "Chinese nationality" and its derived modern nature.We can see how modern order places the world,places different cultures and civilizations,and places different Value styles and personality styles also show what kind of value order modern China is taking,according to what kind of value standards it intercepts metaphysics and the expression of “Chinese nationality” discourse,and thus clear the intention of the author’s self-setting in the writing of modern Chinese literature.The intention of writing and the intention of personality and modality preferences.Whether it is dynamic or static analysis,"Chinese nationality" changes with the changes and changes of metaphysics.With the development of metaphysics in the history of Europe,with the metaphysical argument,with the history of Europe to the modern The expansion of history and world history has eventually become the fixed discourse of the expression of “Chinese nationality” in the modern history of mankind,and it has also become the self-expression discourse that China has to accept in its modernization.Throughout the discourse system of metaphysics,the “Chinese character” unfolds in utopias and ideological interactions and interactions,reflecting the two kinds of swings in the process of Western society or European society’s self-talk and remarks on the East,including China.Uncertain modalities: envy and resentment.The Utopian speech function of “Chinese character” was infinitely enlarged and pushed to the extreme in the “renaissance” process during the Renaissance.It symbolized the Western society’s pursuit of self-sarcvism and self-subverting of secret demands through beautification of China,and was based on ideology.The "Chinese character" of the discourse function was enlarged and pushed to the extreme in the latter stage of the Enlightenment Movement in the form of "self-inflicted and self-incriminating".This symbolized the public demands of self-confirmation in Western society.With the development of the history of Europe,especially the progressive history,the Europeans no longer satisfy the traditional imagination of theological Utopia and Oriental Utopia.With the rise of reason,a new rational heaven is placed in the future interval of the orbit of progress.It becomes the basic consensus of modernity.Its ambitious and arbitrarily progressive historical view design and optimistic prospect description not only satisfy humanity’s future imagination of modernity,but also make it impossible to challenge or try to challenge with unparalleled charisma,subversive power,and critical force.Its legitimacy is dwarfed by the culture and civilized system.The stigmatized "national character of China" has become the product of future utopias and ideological subversiveness and critical force.It is also in the dual care and interaction of Utopia and ideological discourse in the future.The resentment modality runs through the formation history and unfolding history of discourse of "Chinese nationality".In terms of the nature of modernity,it is the way in which mankind has acquired the position of the first person of the fate of the planet and then re-planned the world and planned the human subject and the other according to the value of use within the category of knowledge.This method determines that human beings can only continue to become use value,possession value,comparative use value,and exchange of use value while being thrown away by the use value continuously.In the value comparison,resentment breeds,any value that exceeds the use value and resentment.The modal value style and personality style are like the decline of the river after the collapse of the “order of love”,the collapse of the use value and acceptance of the value of use,and the exposure of “uncovered” to the ruins of culture and civilization placed in use value.Therefore,the essence of the "national character of China" is not the choice of oriental culture or western civilization,but the process of modernization.Chinese people who are "naked" in the ruins of culture and civilization have to accept the values of life,spiritual values and sacred values.The enriched personality style is constantly being marginalized,and is constantly being put into use and collected by the fate of use.Lao She and Lu Xun,like all contemporary intellectuals in the same era context,time environment,family environment,and cultural environment,spontaneously placed themselves in the center of modernity and imperceptibly in the modern-non-modern discourse framework.According to the placement of use value,the "nationality" of the critical writing and personality construction.However,compared to Lu Xun,Lao She’s more ambiguous and generous attitude in the “national character” writing and personality configuration left a cultural space and value space for value patterns and personality styles other than the use value,although all were in Lao She’s works.The value style and personality style that surpassed the resentment modality almost all had to face the use value after the collapse of the “humanity order”,but they could still feel that Lao She left their personality style for the modern-non-modern discourse.Emotional space.With tears and smiles in memory,the anger-like criticism of King Kong means that the value judgments,value intentions,and expansion methods of “Chinese nationality” in the writing of texts and personality configurations are embraced by metaphysical and modern discourse lines.All questions about human understanding and human transformation are both questions of metaphysics and questions of modernity.China’s metaphysical discourse on the use of value in the process of modernization will inevitably lead to modern China’s understanding and metaphysics only on the level of use value.With the collapse and use value of the traditional “Benevolence Order,” absolute control will be obtained in the way of modernity expansion.Position,because of the use of the value of the comparison of the resentment of gentiles become the dominant state of value judgments and participate in the construction of modern personality and order,any transcendental emotions and values must in the process of marginalization continue to fall into the abyss of resentment.In Lao She’s works,there are transcendental values of life,spiritual values,and sacred values filled with personality styles.They also have to accept the placement and collection of use values.They are dark,dark,and dignified.It is impossible to truly prove the truth in accordance with the metaphysical principle,to obtain the means of existence in the love of the highest truth,to start the Taoist doctrine in the grand “Benevolence Order,” to accept the inspiration and promotion of heaven and earth,and to participate in the universalization of the universe.Create a great personality.The collapse of the “order of love” is not silent,and its consequences and echoes are still oscillating in the flow of our lives,leaving enormous challenges and questions: what exactly is the “national character” writing and personality configuration? The value and personality of the intention to start? Is it the use of resentment in the use of value,through the critique and negation of "national character" transformation or improvement? Still in the value order of the divine love,through the foundation,inspiration and overall popularity of love,the pursuit of life and spirit is carried out. |
