Resentment In Chinese Classical Aesthetics

"Yuan" is one of the emotional states of human beings.It is gray,making it impossible for people to face the splendor of the outer world and the hatred of the inner world,and knots in the heart with a curled and uneven posture."Yuan" is also an important category in Chinese classical aesthetics.In the beginning,its value was mostly reflected in its political practicability,represented by " Resentment to politics".During the Wei and Jin Dynasties,the literati’s self-awareness was widely awakened,and the aesthetic value of "Yuan" gradually became prominent.The " Yuan " in Chinese classical aesthetics showed a combination of aesthetic value and social value.The world is fair,and "Yuan" also has its Dao.The article takes the source of "Yuan"-quality-performance-vigor as a logical clue.The introduction focuses on longitudinally combing the theoretical "Yuan" in ancient classics.The first chapter traces the origin of the aesthetic logic of "Yuan",using philological research methods,mainly "image thinking",supplemented by "sound thinking",the word "Yuan" should be " Following Xin and sounding from Yuan",which is for the soul The grievances and injustices are indifferent and unspoken,leading to grievances and accumulating righteousness.The second chapter starts with the misunderstanding of the word "Yuan" about "Following Xin and Following Ling".From the perspective of social stability,the cessation of grievances is inevitable and necessary,and the peace and stability of the people can maintain the long-term stability of the rule.From the perspective of personality cultivation,the ideal of personality without grievance is the lifelong pursuit of ancient Chinese scholars,but it is also because of their status.Special and intellectually sensitive,it is difficult for them to avoid the occurrence of "Yuan".Combining misunderstandings and the meaning of "Yuan",its aesthetic qualities can be summarized as three kinds of injustice,dare not and constant.The emotions arising from the contradictory tension between the dissatisfaction of inner desire and the feeling of powerlessness under external pressure,the accumulation of time and The long-term precipitation has condensed into "Yuan",which entangles people’s hearts.The third chapter lays out and stretches the word family of "Yuan".Whether it is the ideal of the family and the country or the need for life,in the dissolution of the collective and the individual,different forms of "Yuan" have their unique aesthetic charm.The mission-like " Resentment to politics " guides the direction of the scholars.The lonely and desolate "Sao Yuan" has eternal integrity.Sima Qian’s "resentment" created the "Historical Records" and personal symbols in the desperate cry.Cao Zhi integrated emotion and will in "Elegant-Resentment","Sorrowful-Resentment" measured the world with melancholy eyes,"Poisonous-Resentment" Remake "Water Margin" with a secret disguise.These representative grievances and grievances imply the involvement of personal emotional expression and writing in the public domain.No kind of "Yuan" can exist alone without a person’s social identity.The fourth chapter summarizes the spirit of "Yuan".Whether it is the objective need to maintain the balance of the spiritual system or the subjective demand for the realization of the ideal of social justice,"Yuan" is an indispensable part of life experience,and it can even open up a new pattern of life with its pain,and "Yuan" also presents deep sadness,solitary and elegant aesthetic temperament.The occurrence of "Yuan" is a gift of aesthetic life.The expression of "Yuan" should be restrained.We don’t have to fear the occurrence of "Yuan",let alone treat it as a terrible disease.Balance and accept the "Yuan",and achieve the aesthetic life by means of artistic compensation.