The Western Arts And Performing Research On The Grassland Culture Background

Western art as a foreign art types and its spread to Inner Mongolia has been nearly a hundred years of history,in the dissemination and development of long-term process,people gradually realize that the importance of local culture and foreign culture and fusion,namely "form and content" opposition unity and form can be eclectic learning the nation away all the best kind of art,but the content must reflect the characteristics of the nation’ s own musical culture.Starting from the five Western orchestra artist’s art career,teaching activities,playing techniques,music creation,music performance,music research aspects,elaborated western art in the northern grassland culture under the background of exploration and development.This paper is composed of three parts:introduction,text and conclusion.The main text is divided into four chapters.In the introduction,the main research object,purpose and significance,research status,research status,literature and other components of this paper are introduced.First chapter the description on the northern grassland humanities,history,culture,geography,etc.,make people aware of and grassland music culture background is western art in the cultural foundation for the existence and development of the Inner Mongolia area,and the local history of the development of the art of further described,so as to form a correct reference view,because it is after all "exotic" music culture,how to enable the indigenous culture and the formation of the good relations of fusion is a generation of escrow music historical mission.The second chapter is summary of five orchestral artists art career,performance characteristics,music creation,music performance,music research,in order to draw the outline of a picture of Inner Mongolia western orchestra art grows out of nothing,from the simple and complex,numerous be caused by Sheng stereo type vertical structure diagram.This chapter emphatically on the five orchestral Artists Music nationalization exploration are discussed,indicating that the local culture in the importance of western orchestra national art development.We see from the orchestral artists of the older generation’s art career,in Western art heritage and development of local culture is the responsibility of contemporary orchestral where.Chapter three is five orchestral artists in the music teaching for many years painstaking valuable teaching experience summary,the emphasis is the establishment of the teaching concept of professional,systematic,more important is,after the professional,systematic and never to drop nationalization of music training,that is,take the music teaching in specialized,nationalization of the Road on the basis of the national music culture is western art to explore the nationalization of the effective ways.The fourth chapter expounds the reflections on the western art and the grassland culture fusion,put forward to the western orchestra reference,how to learn from and reference principle,article detailed discusses the these problems.Instrument itself is not culture bound,but thought itself is limited by a bad social environment,historical and cultural heritage and other factors,thus it may be known,learning advanced western orchestral playing technique for supporting framework of local music culture is the final fusion,Jane is to adhere to the guiding principles for the art of "making foreign things serve China" is the important guiding ideology of the western art rooted prairie,so that western art a update,more durable,more powerful vitality.