Study On The Landscape Design Of Calligraphy Culture Square

In recent years,the city culture Square,as the city window of people gathering,leisure and cultural exchange,has not reflected the historical culture tradition and the regional characteristic,but presents the phenomenon of sameness and low level.The reason,the Chinese contemporary landscape design,in the face of huge market,the whole industry is generally the idea of quick success,in this relatively disturbing fast-food mode development,its drawbacks are increasingly obvious.The blind introduction of Western landscape theory and design results has become the mainstream of development,while the inheritance and innovation of Chinese traditional culture has lagged behind in the design of contemporary landscape architecture in China.As an important part of Chinese traditional culture,garden and calligraphy have rich cultural connotations and unique aesthetic value.In the course of thousands of years of development,the two have infiltrated each other,ponder and common development,and achieved fruitful results.With the further improvement of the spiritual and cultural needs of people today,the combination of calligraphy and garden is more extensive and deep.As a new type of landscape space in modern city,calligraphy culture square may become an important social public space to embody Chinese traditional culture and construct the characteristic style of urban regional culture.Taking the landscape design of calligraphy and culture square in Xi ’ an as an example,through the investigation of the relativity between calligraphy and landscape design,based on the theory and practice of the landscape design of calligraphy culture square,this paper studies and explores the concrete ideas and methods of casting the related elements of calligraphy into the design of contemporary square landscape.In order to provide a reasonable reference and practical reference for the application of Chinese traditional culture in contemporary landscape design.The full text is divided into four parts.The first part is the first chapter introduction,elaborated the thesis research background,the goal,the significance,the content as well as the method,has analyzed the domestic and foreign research dynamics,has clarified the thesis research frame.The second part is the second chapter,mainly discusses the related concepts and theoretical issues involved in the calligraphy culture square,and makes an in-depth analysis of the related cases.The third part includes the third chapter and the fourth chapter,combining the design of Xi’an calligraphy culture square,deeply studied the general design of the calligraphy culture square and the concrete method of the detailed design of each functional area.Part Four is the fifth chapter’s conclusion and Prospect.The research holds that the calligraphy culture square is an effective way to apply Chinese traditional culture to the design of contemporary landscape architecture,and also is an effective way to construct the characteristic style of the city region culture.In the specific design,it is not only the direct display of the form of calligraphy ontology,but also the creativity of the intrinsic characteristics of the deep calligraphy culture,such as the linear order of calligraphy,spatial features and cultural spirit,casting in the contemporary landscape design including the calligraphy culture square,and paying attention to people’s participation and experience in the cultural landscape.While promoting the two phases,the sustainable landscape space of humanistic culture with Chinese traditional regional cultural characteristics and spiritual connotations is created.