On The Construction Of "Meaning" Ang "Form" Of "Three Layers And Tow Sections" In The New Chinese Style Residential Building Space

In recent years,the aesthetics of Chinese style space has attracted more and more attention from all walks of life.With the improvement of people's quality of life and level of culture and education,in addition to some basic functions of shelter from wind and rain,the increasingly rich spiritual culture and the inheritance and development of Chinese traditional culture in the development form and direction of residential building space have also attracted more and more attention ? However,with the rapid development of the times and the tempestuous involvement of various foreign cultural information,as well as the lack of experience in the early residential space and a little bit of haste,some of the new Chinese residential space in the design process tend to copy the rigid set,follow the cat and draw the same gourd,which makes the new Chinese residential space design more and more similar to one type Style,for the traditional landscape painting culture mood atmosphere to create the pursuit seems to be a little small.Therefore,the inspiration of the author's thesis comes from the pursuit of "three overlaps and two sections" of Chinese traditional landscape painting in the tenth chapter of the realm chapter of "quotations of balsam pear and monk painting" written by Shi Tao,a famous Chinese painter.(the main idea of the chapter is that "triple ends" are painting skills.Only when the form,spirit and painting method are connected can the soul be possessed,which is the unity of "meaning" and "shape")Through the way of discipline transplantation,the author explores the role and influence of the unity of "meaning" and "form" in the construction of mood atmosphere of new Chinese style residential building space in all aspects,in order to make it more meaningful and directional to inherit Chinese traditional culture,and more interesting in spirit culture.Therefore,the new Chinese style residential building space studied in this paper is not only to explore the functional residential building space,but topursue the unity of "meaning" and "shape" atmosphere,and to explore and design with materials,in order to shape the space and place of human feelings for design.The first part: determine the background,research object,basic concept of the object,clear the purpose and significance of the research,direction,main content and research methods.The second part: systematic analysis and generalization of the traditional landscape painting elements of the continuation of "meaning" and the lack of "form" in the new Chinese residential building space.The third part: from the basic concepts of "meaning" and "form" of "three overlaps and two paragraphs",it is realized that the formation of new Chinese style residential building space is reflected in three points: 1.Emotional subjective consciousness-"meaning".2.The concrete object image-"shape".3.Combine 1 and 2 to get artwork.Combined with the connection between traditional houses(Huizhou architecture)and traditional gardens and traditional painting theory,this paper analyzes and explores from two aspects of influencing factors and forming factors as well as from the perspective of time axis.The fourth part: how to transform and apply the traditional landscape painting theory to the new Chinese style residential building space.Combined with the "six ways" in Chapter 11 of the "quotation of balsam pear and monk painting",from the two perspectives of "borrowing" and "inverting" to investigate,analyze and demonstrate the application,influence and importance of "shape" and "meaning" in the design of new Chinese style residential building space.The fifth part: the design of the new Chinese style residential building space,the theoretical combination of practice and independent design,as well as the new Chinese style residential building space "meaning" and "shape" embodied analysis.The sixth part: according to the materials collected in this paper and the related judgments,it makes a corresponding summary of the "meaning" and "form" of "three overlaps and two sections" in the construction of new Chinese residential building space and makes a reasonable analysis of the shortcomings of this paper.