Analysis Of Music Aesthetics In Jiangnan Garden Space

As two different art categories,Jiangnan Gardens and music aesthetics express different languages,but they share the same aesthetic rules."Architecture is solidified music" is a well-known phrase,from the melodious melodies extract and architectural space elements of relevance for comparison,architectural and musical relevance research has become increasingly mature.The garden space in the south of the Yangtze River is a kind of space art,which is similar to the architectural space.Chinese traditional music and Gardens in the south of the Yangtze River are bred and developed from the humanistic aesthetics of harmony between man and nature,Confucianism,Buddhism and Taoism,the local pentatonic music is bound to have an inseparable relationship with the Jiangnan Garden Space,which will also be mentioned in the article.There are many things in the world,but they all share the same philosophy.Only when Jiangnan Garden space is placed in the framework of human culture,can we get out of the inherent cage.Therefore,this article is more challenging to study the Jiangnan Garden Space and Western style in different regions and the humanities environment of the art form has a certain relevance.Based on the theories of psychology,sociology,philosophy and synaestheticism of art,this paper makes the clues of musical aesthetics in Jiangnan Garden space more vivid and vivid.On this basis,cross-study of Chinese Gardens,Jiangnan Gardens,garden spaces,architectural spaces,music aesthetics and music form,trying to integrate the organizational logic of the ancient people when they created gardens with the means of music composition,in-depth study and try to summarize the Jiangnan Garden Space Aesthetic Mechanism of music.On the basis of the existing design methods,this study will pay more attention to the emotional research of the experiencer on the basis of rational analysis of the landscape and musical conception,and how to arouse the emotional resonance of the people in the process of visiting the garden,to accommodate people's need for spiritual pleasure.It is hoped that the study of this paper can provide some guiding ideas based on music aesthetics for the logic thinking and element organization of modern landscape design.Firstly,this paper expounds the concept,historical origin and characteristics of Jiangnan Garden Space and Music Aesthetics,clarifies the key words,and lays a foundation for the research.Then from the important media of Art Communication,I.E.The information function mechanism of man,the two subjects are connected in series to analyze their aesthetic psychology and physiological law of cooperation.Then,the author sums up the Aesthetic Cell Foundation of the two,and transforms the different artistic language into the common form characteristic from the module,the scale and the symbol characteristic,which is the theoretical basis for the relational diagram.The next step is to discuss the common attributes of Jiangnan Garden Space and music aesthetics,and to depict them abstractly.From theaesthetic,temporal,spatial,social classification study,to further deepen the objective relationship between the two,for the comparison of research materials to pave the way.After analyzing the basic attributes of the two subjects,we begin to compare the key elements of Jiangnan Garden Space and music aesthetics.Firstly,the musical sound structure,musical philosophical aesthetics and the key elements of Jiangnan Garden space are compared,then it analyzes the close relationship between the gardening elements,the structure elements,the gardening techniques and the music aesthetic elements in the Jiangnan Garden space,and analyzes the relationship between the two in the cultural implication.