Research On The "Ritual Space" And Decorative Art Of Taigu Jingxin Temple Theater Building

Based on the existing architectural historiography,this paper draws on the academic research results of social sciences,folklore,aesthetics,and religious culture,and takes the Taigu Jingxin Temple as the point of view.The music space and the cultural origins of the “sacred custom” contained in the architectural art of decoration are analyzed.In the horizontal direction,the temple theater buildings in the areas of Gifu,Pingyao and Jiexiu around Taigu are compared with the Taigu Jingxin Temple through field research,revealing the “ritual space” and its architecture of the temple theater in Shanxi.The logical composition of the duality of the "sacred custom" culture in decoration.In the vertical direction,based on the cultural manifestation of the “sacred custom” of the Taixin Jingxin Temple theater building ritual space,the research frameworkof this paper is constructed to explore the spatial relationship between the geographical location of the Jingxin Temple and the layout of the village from a macro perspective,and “ What influence does the “sacred custom” culture have on the functional layout of its ritual and music space;from the microscopic aspect,it explores the cultural connotation of “holy custom” embodied in the decorative art of the Jingxin Temple architectural space.From the perspective of social culture and anthropology,this paper further analyzes the current status of the protection of the ritual space in Shanxi temple theater,pays attention to the protection of traditional architectural space,and promotes the cultural continuity of ritual activities held in the space.It evokes the collective memory of the people and effectively inherits the inherent cultural connotations of the space.Furthermore,through the social identity and the cultural consensus of the people,it evokes the inheritance of the collective memory of the "ritual music" culture in the space and the continuation of the ritual activities.Firstly,the paper analyzes the historical evolution of Taigu Jingxin Temple and the layout of its architectural space,revealing the social and cultural background of the temple theater building “Ritual Space”.The development of the Jingxin Temple theater building is a microcosm of how the opera culture and the temple architecture culture are “collided” from the “collision” to the mutual fusion of the two.It is the embodiment of the blending of the “sacred custom”culture.Secondly,by analyzing the social environment,spatial layout andregional belief culture factors of the Jingxin Temple theater building,on the basis of architectural historiography,drawing on the theoretical research of religious culture,social culture and architectural aesthetics,to Jingxin Temple For the sake of the point,explore how the "sacred custom" culture of the temple opera building in Shanxi Temple reflects the duality of the "sacred custom" culture.In addition,combined with the "ritual music" culture of the temple building space,it deeply analyzes the evolution of its "ritual music space" function and the formation of space.Thirdly,through the analysis of the religious belief culture,the public aesthetic thought and the value orientation contained in the "Ritual Space" of the Jingxin Temple Theatre Building,the decorative art and intangible cultural heritage of its architectural space are represented by froming tangible to intangible considerations.From the three aspects of social culture,nature and life involved in the aesthetic characteristics of architectural space decoration art,it reveals the humanistic art and the rural folks in the decorative art of "practical and practicable","Chongwen re-education" and "elegance and common taste".Aesthetic culture character.Finally,in the context of cultural connotation,the protection of the ritual space of the temple theater should not only focus on the repair and maintenance of the space building.Because,in the context of social identity and cultural consensus,the continuation of ritual activities in the ritual space is an effective measure to stimulate the collective memory and cultural heritage of thepeople.Therefore,first,people need to take the protection of the "ritual music space" building and the continuation of the ritual ritual as the starting point,and combine the collective memory of the village with the protection of "ritual music space";second,the social ethics from space In the two aspects of the art of decoration,the analysis of the promotion of the "ritual music" space culture and the construction of social identity.