| Qingchengshan become one of the birthplace of Taoism in China because of its unique cultural heritage and quiet natural environment,since Zhang Daoling created in Dayi Heming Hill,missionary in Qingcheng Cave.In this paper,we describe six large temple architectural space and environmental characteristics of Qingchengshan from the Qing Dynasty to the Republic of China,we study the historical origins,site distribution,architectural form,space environment,garden environment and construction techniques and decorative arts of Qingchengshan temple.To study the Qingchengshan view of its own regional characteristics as the main line,compared to other areas of the temple,other types of traditional buildings as a hidden line,in order to expand the depth and breadth of the study,forming more systematic palace view of the architectural environment of Qingchengshan.This article is divided into six chapters.First of all,it clarifies the scope and content of this paper,and combs the predecessors’ research,and makes a brief overview of the Taoist profile and the transformation of the Taoism and the temple view.to do bedding for the study of the Qingchengshan Temple.Then,in the second chapter.First,as the ancient tribe worship and the sacrifice place in Qin and Han Dynasties of Qingchengshan,its sacrificial architecture is an important source of later temple architecture.Combined with the evolution of Taoism,to explore the regional view of the palace into the road..Describes the history of Taoism in Qingchengshan and the history of the temple,explores the historical and cultural background of the construction of the Qingchengshan Temple,and sketches the development trajectory of the Qingcheng Temple view,so that the readers have a clear understanding of the historical and cultural background of Qingchengshan Temple.And summed up the overall regional characteristics of the Qingchengshan Temple,Played the role of the total collar.Then,on the basis of field research and surveying and mapping data,the paper summarizes the characteristics of Qingchengshan Temple,distribution and architectural layout.because of the natural Feng Shui environment,traffic environment and Taoism needs,a large number of Temple focus built in the Qingchengshan.The location of Qingchengshan Temple can be divided into four categories:the top of the mountain,mountain,foothills and caves,and stressed with the environmental landscape,and the integration of traditional Feng Shui concept.Temple to the distribution of scattered to emphasize the overall religious atmosphere,there are two points of the formation of such a distribution.First,meet the Temple site of the base environment in the natural environment is scattered distribution.Second,the palace of the organization is independent since ancient times to avoid religious and economic reasons for pilgrims.Qingchengshan Temple of the use of courtyard of the architectural layout,combined with the terrain.It is flexible and do not emphasize the axis of symmetry.Temple features include four areas:shen shan she yuan,around the axis of the temple to start the function,through the way to organize the flow line.Which worship the gods,including folk folk beliefs,as well as guest houses occupied most of the house view,is the temple of the secular characteristics of the important performance.Then,based on the rich surveying and mapping data and field research,the paper discusses the characteristics of the architectural environment of Qingchengshan Temple.Palace view of the site of the mountains,building uphold the Taoism conform to the natural thinking,emphasizing the integration of architecture and the environment:Temple view through the high and low changes in the roof,heavy floor,drop,eaves,stacks and other physical processing techniques to create into the environment of the architectural form;Through the mountain on the potential of the spatial organization,perimeter of the interface with the construction of the interface to form a fusion of environmental environment;The use of plant landscapes,terrain height difference and the archway architectural form to enhance the temple of the entrance of the building,to solve the temple hidden in the environment brought about by the contradictions.The temple with the potential of the station,retractable space rhythm,the transition between the dark and the space and the penetration of space through the formation of a rich mountain space experience,and the use of building,cliffs,hanging feet,pick,drop,Stacks and other mountain space processing methods to take space,have shown a clear mountain space characteristics.To the surrounding landscape for the landscape,as well as the simple courtyard garden landscape,so that the palace to show the natural charm of the mountain temple garden features.Finally,the article focuses on the temple to create a regional art and decorative arts.Temple view of the temple between the incisive ruler feet feet three feet eight,into the deep step by step,through the column to create a sacred statue of the large space,the formation of the characteristics of the layout.The combination of the bucket structure and the lifting beam structure,as well as the combination of the pillars and the wooden frame,is an important feature of the Qingchengshan Temple.Temple view of the roof with ping,qi,chuan,die,stack and other combinations,combined with the gable does not accept the top of the mountain,forming a rich roof shape.Through the use of tender closure of the closure of the wing angle,simplified wishful brackets,characterised of the pick and the roof of the gallery,constitute a rich and colorful image under the eaves of space.Combined with Taoist religious culture,local folk culture carving decoration,is the composition of the palace architectural culture an important part.In the sixth chapter,the author summarizes the research and analysis of this paper.Through the writing of this article,not only in the study and use of traditional Taoist architectural methods,but also from the Qingchengshan Temple of the architectural features and techniques to absorb nutrition,use to contemporary architectural creation,in order to carry forward the traditional architectural culture. |