Research On The Space Composition Of Suzhou Classical Garden

Ancient Chinese gardening has a long history,and its culture is profound and profound.If it is analyzed by today’s spatial characteristics,it still conforms to the norms of scale,proportion,perspective relationship,spatial sequence,etc.,so it is deservedly regarded as a classic.Perhaps because of the changes of the times,under the constant impact of modern and diverse design styles,people seem to have forgotten this classic,and there seems to be only the impression of “historic heritage”.Garden For the average user,beauty is a prerequisite.It is hard to imagine that visitors can enjoy their physical and mental pleasure in an aesthetically pleasing garden.Although there are many differences between many gardening theories in ancient China and today’s design methods,according to the scales,proportions,perspective relationships,spatial sequences and other rules in modern design,classical gardens can be analyzed and compared,and common places can still be found.Therefore,this thesis will take Suzhou classical garden as the research object,analyze its spatial relationship by means of graphic method,and find the law of spatial scale by quantitative means,so as to make the intuitive perception rise to the rational height,so that the classical garden construction in Suzhou in the past The means and methods of comfortable and beautiful space can be continued in today’s garden design.This paper is divided into five chapters.The first chapter is the introduction part,which expounds the research object,meaning and method.The second chapter begins with the analysis of spatial elements.According to the "consistency" and "construction line" of classical gardens in the integration of spatial elements,the garden elements are transformed into the most basic points,lines and planes for analysis.The composition and basic principles of the classical garden space frame.The third chapter is the spatial scale analysis of Suzhou classical gardens.Based on the real vision of human eyes,the paper analyzes the physical data and positional relationship of the corresponding typical case space from the gardening elements of the four gardens of mountains,water,plants and architecture.And the influence of the formed space on human visual perception,to explore the spatial scale law of Suzhou classical garden.The fourth chapter is the spatial analysis of Suzhou classical gardens,starting from the two perspectives of spatial layout and spatial sequence.Firstly,in the spatial layout,it can be concluded that the layout of Suzhou classical garden can be divided into two kinds of fragmentation and fluidity.Then,by combining the montage of the film and television works with the ornamental sequence of Suzhou garden,the spatial sequence of Suzhou garden is obtained.The general way and law of change.The fifth chapter is the expression of classical gardens in modern gardens.Through the analysis of several modern gardens,this paper explores the expression of classical garden space art techniques in modern garden space,in order to achieve the ancient and modern use,and continue the inheritance of Suzhou garden art.And develop.