| This article is based on the classical landscape art has gradually improved to the contemporary Chinese classical aesthetics,including all kinds of art fields,and presented an aesthetic imagination space combined with the void and reality,under this background,the Suzhou classical garden as the research object,the void and reality as a starting point to explore the actual situation,from the point of view of Chinese traditional aesthetics ideas,the design and the emotional experience of space clever coincidence,the void and reality construction method of layer by layer analysis from concrete to abstract the established relationship between void and reality in the different stages of garden construction,in order to explore the actual creation significance for garden landscape construction.Through the study of Suzhou garden landscaping,the author will refine the practice of all kinds of void and reality on the gardening techniques.In the writing proportion and structure of this article," void and reality" has always been used as a research carrier and discussion basis throughout the article.In addition,the use of large space,focus on the analysis of the void and reality in Suzhou classical gardens and gardening practices in space and the scenery,and with the Wangshi Garden as the representative,hope to refine the " void and reality" of the landscape gardening and the general rules of content.The end of this paper,through systematic analysis and Study on all aspects of the classical gardens of Suzhou landscape,systematically presents the void and reality of the landscaping effect in the landscape and the relationship between the sequence of events that exist between the various landscape elements part,and explores the design value of design language and guide the void and reality construction skills,and good prospects for the the future of landscape design. |
