The Guildhall is a special form of architecture,which is designed to facilitate the companionship,spiritual sacrifice and commercial activities of merchants living in a foreign country.It is an important carrier of folk culture,aesthetic art and economic development in the Ming and Qing dynasties.Built in the prosperous period of Kangqian,Luoyang Shanshan Guild Hall is located in Luoyang City,the ancient capital of the Thirteen dynasties,which is characterized by superior geographical conditions,convenient transportation on land and water,and a thick cultural background.It was built by the hard-working and powerful merchants of Shanshan and Shaanxi.Its completion is a common result of the benefits of the earth and the earth.The architectural decoration of Luoyang Shanshan Guild Hall is the essence of its architecture,and it is the most complete and beautifully carved and painted period in the west of Henan Province in Ming and Qing dynasties.The complex has the largest "dragon wear peony" painting decoration in the early Qing Dynasty and the most exquisite carved large glazed shimmering wall in the west of Henan Province.Therefore,the research on architectural decoration art of Luoyang Shanshan Guild Hall is of great significance.Compared with court architecture and folk architecture,the study of guild hall architecture is relatively less,and the architectural decoration research of Luoyang Shan-Shan Guild Hall from the angle of design is less.Therefore,in order to study the decorative art of Luoyang Shan-Shan Guild Hall in all directions,in order to multi-angle,all-round research on the decorative art of Luoyang Shan-Shan Guild Hall,This paper is based on the collection of documents,the review of geographical and historical data,the on-the-spot investigation,the comparative analysis of various regions,and the combination of historical inquiry and modern thinking.Combining rational analysis and perceptual thinking in parallelwith various research methods to complete the study of the thesis.First,master the basic information of Luoyang Shanshan Guild Hall from the literature materials;secondly,visit and investigate from many parties in order to design From the perspective of learning,the representative architectural decoration of Shanshan-Shaanxi Guild Hall in China and Henan Province during Ming and Qing dynasties was analyzed by case analysis and comparative analysis,so as to support the research content with substantial arguments.Finally,the emphasis is on the architectural decoration of Luoyang Shan-Shan Guild Hall in various aspects of the three-dimensional analysis,in the mainstay of thinking,Luoyang Shan-Shan Guild Hall of the beautiful and incisive display.The article is divided into three parts.The first part gives a comprehensive overview of Luoyang Shanshan Guild Hall,including three points of view: general situation of development,architectural layout and cultural connotation,in order to embody moral education,manifest loyalty and uphold justice,and gather together the culture of Yujin and Jin dynasties.Practice the philosophy of "the unity of nature and human beings",and take into account the cultural connotation of entertaining God and human beings as the focus of this part;The second part is the innovation of the article,in which the architectural decoration of the representative Shanshan Guild Hall in many areas is investigated and analyzed,and the architectural decoration of the Shanshan and Shaanxi Guild Hall in the north and south of the country is summarized.On this basis,the unique features of architectural decoration of Luoyang Shanshan Guild Hall are highlighted,and the key point is to show the construction of Luoyang Shanshan Guild Hall.Build suitable and moderate decorative style,peony all over the decorative ornaments and creative foundation carving and explore its core geographical environment,Qing aesthetic,the influence of culture,Confucianism,Buddhism and Taoism cultural blend of decorative causes;The third part is the core of the article,mainly to the Luoyang Shanshan Guild Hall architectural decorative form and spirit of the artistic expressionanalysis and summary,from the highlights of gorgeous glazed craft,rich wood carving technology,stone carving technology of rigid and flexible,To the animal and plant theme,the character theme,the calligraphy subject matter,the decorative theme of abstract subject matter,to the stylized model treatment.In the end,many aspects such as avoiding calamity and eliminating disaster,long life and many children,prosperity in prosperity,adornment meaning of worshiping culture and Confucianism,etc.,are deeply analyzed in many aspects,such as complex and diverse composition forms,and the use of pleasing colors to avoid calamity and eliminate disasters.It is hoped that this study can contribute to the study of Chinese traditional architectural art,and find out the design elements and ideas that serve the present and the past,add nationality and regionality to the design of China,and resist the convergence and colonization of the present social culture. |