Investigation And Analysis Of The Spatial Pattern Of Buddhist Monastery In The North Foot Of Zhongnan Mountain

Under the background of the new era,the wisdom of Chinese traditional landscape construction can not be reasonably and widely used,and through the further excavation and study of the Chinese landscape cultural thought,the theory and the case level are supplemented and developed,which can help the traditional landscape construction of the "ancient for the present" and the modern landscape design.Provide inspiration.Xi'an Zhongnan Mountain(West of Meixian,East Lantian)north,since ancient times is China Buddhist ancestral mountain shrine and practice.The temple of the layout of the site,contains ancient with artificial landscape Yamagata create wisdom.In addition to the typical and unique features of the space pattern in the temple,the position relation with the city and the natural environment,the scale of the engineering construction,the visual perception,the scene meaning,etc.all contain the connotation of the landscape culture,and further excavate and inherit the wisdom of the ancient generation and explore the traditional space design.The theoretical method is of great significance.Based on the research and sorting out of the theory of landscape culture in China,this paper further interprets and demonstrates the idea of artificial construction of "combined shape and auxiliary potential".In the systematic analysis and investigation of the spatial pattern of the Buddhist temple in the northern foot of Nanshan Mountain,the spatio-temporal relationship between the development and change of the Buddhist temple and the spatial pattern of the landscape city was explored through literatureresearch,and the site site selection and spatial pattern characteristics of the Buddhist temple in the North foot of the north foot were analyzed by using the analogy method and the pattern analysis method.Through field investigation and visual scene analysis,we excavate the way to create the scene space of the Buddhist ancestor in the typical landscape space,and explore the space sequence of the Buddhist temple from "scenery" and "emotion".Through the landscape space and the scene space,it reveals the application of the artificial building idea of "He Xing Fu Shi" in the construction of the temple of the Buddhist temple in the end of the south,and also embodies the cultural thought of the Chinese landscape in the temple garden.Through the study of the landscape spatial pattern of the Buddhist temple in the north of the north,it is found that the construction of the siting of the ancient Buddhist temple in China is closely related to the changes of the city and the landscape pattern,forming the spatial pattern of the mountain,the temple and the city.The location of the Buddhist temple and the study of the space environment reflect the construction concept of "He Xing Fu Shi",and the spatial characteristics are summed up in four spatial patterns: the outer space of "On the top of mountain,making the great momentum like Kunlun Mountain";the outer space of "Ahead in the distance,the far borrowing of mountains";the inner and outer space of "buildings on the hillside and complying with the mountain terrain";and the inner space of "Choosing the site with Fengshui where the climate is mild".Moreover,in the field investigation of three Buddhist ancestors,it was found that the temple gardens were built by visual perception to create space sequences of behavioral,visual and spiritual scales.The analysis and research at different spatial scales all reflect the construction concept of "He Xing Fu Shi",and provide inspiration for modern landscape design.