The Application Of Wood Quality Creative Form In Interior Space

If we compare the conscious creation activities of architects to the process of weaving baskets,the materials are just like the vines used in weaving.If we mastered the techniques and patterns of knitting,we grasped the form of the knitting and put it in hand.Then what kind of basket would we like to make?Its shapes,styles,details,etc.are all within the grasp of the designers."Wood",as an ancient building material,has grown continuously in the long history of our country.Under the art of ancient wooden architecture,we have performed human wisdom and the pursuit of the beauty of art.From the primitive period to the modern society,the decorative construction art of wood material in the architectural world has never been interrupted.It carries many traditional imprints and cultural symbols.Interior design,as the object of practicality as a result,and decorative material as the basic material element,through the artist's art of constructing the subjective initiative,constitutes the art,so that the designer grasps the basic element-material depth directly.Influence the degree of its subjective initiative to play,and then affect the results of interior design art.This article takes the wood material in decorative materials as the starting point for the study,and from the perspective of visual aesthetics,studies the language expression of wood materials in the interface organization.In this study,the construction theory often mentioned in the study of building materials,Semper's theory of material substitution and the theory of facing are used.The construction theory in this article mainly refers to the "poetic construction" theory.The material replacement theory mainly expresses the replaceability of materials of the same nature and characteristics in the construction method,so as to support the study of wood as a module in the following text.The rules and characteristics of form deduction and change,and the "connection" emphasized in Semper's facing theory are also the research points of the key design in this article.During the analysis phase,the two-dimensional wood interface body is used as a carrier to conduct in-depth analysis and creative extension of the influencing factors of the wood interface organization.The influencing factors mainly include the ontological elements—the relationship between wood and organization—"connection",and according to its characteristics,each The elements will be divergently explored in terms of their creative possibilities,and the elemental patterns of the wood material decoration interface will be updated to enrich the creative elements.In addition,on the basis of elemental analysis,through the analysis of classic case studies,it explores its design language and features,and finds the positioning points for later conclusions.The results of the conclusions,the overall design of the wood interface control as the main body,objective construction logic and subjective poetic integration in two aspects of expression wood expression strategy.On the one hand,it is rational art,on the other hand,it is mainly emotional art.The formal artistic part of rationality is mainly to study the objective construction logic of the interface by the graphical representation of the interface,the texture and form of the interface,and the fuzzification of the interface.The emotional expressions of the sensibility mainly include emotions and meanings.The sequence of creation in the shape-interface composition,poetic construction,empathy,and metaphorical techniques.Break through the traditional thinking of wood material application,expand the understanding and understanding of wood material,a traditional material,and open up wider creative space.