Inspiration Of Shanxi Kang Wai Paintings On Costume Design From The Perspective Of Intangible Cultural Heritage

Shanxi Kang Wai painting gradually formed an artistic feature with strong contrast of colors,painting techniques focusing on realism and composition.Which not only reflect the connection between regionality and folk art,but also convey the values and aesthetic tastes accumulated by the working people in production and life.However,with the changes of the times,Shanxi Kang Wai paintings are on the verge of extinction under the impact of various factors such as the economic tide.How to explore the intangible cultural heritage of Shanxi in different angles is particularly urgent.The article uses the literature method,the field investigation method and other research methods to deeply explore the historical origin,development status,artistic expression and cultural connotation of Shanxi Kang Wai painting.In the process of practice,through the analysis of the relationship between the painting space and the positional situation and the color application of the Kang Wai painting in Shanxi,the focus is on refining the design elements from the perspective of the plane,and the two-dimensional elements such as the color matching and the use of lines in Shanxi,used in three-dimensional space of clothing.At the same time,it also draws on the proportional relationship implied by the surrounding paintings to form a spatial dialogue with the ’proportional traits’ contained in the clothing itself,so as to rationally design the position of the clothing pattern.From the perspective of the cross-border integration of fashion design ontology and folk art,the aim is to explore the living heritage form of Shanxi Kang Wai painting in the dimension of fashion design.At the same time,the significance of the integration of fashion design ontology and folk art is not only to give the clothing a deep cultural connotation,but also to reflect the diversified exploration of the inheritance and protection of intangible cultural heritage from another angle,and to promote the development of ’people-oriented’ view.Through effective thinking on the sustainable development path of folk art,we will promote the sound and rapid development of the rural economy,and then promote the formation of a virtuous circle system between folk art and rural economic development with the concept of’rural revitalization plan’.