A Study Of The Application Of Rufu Shenyi In Modem Costume Design

The costumes of the Chinese people are very humanistic and significant.Ancient costumes are an important part worthy of study.This thesis chooses Rufu in ancient Chinese costumes as the main research object,analyzes the external expressions and internal charm of Rufu,and conducts research with modem costume design.Conducting a systematic study of Rufu,focusing on Shenyi,we will first clarify the background,formation process,popularity of Rufu,and the evolution of various dynasties.Then we will discuss the style,color,and material of Rufu.The political ideals and cultural aesthetic implications behind Rufu finally come to the modern design of clothing that fits with ancient costumes in terms of dress and aesthetics.From the research,it is found that clothing itself is a combination of material and spiritual.Rufu advocated by Confucius and Mencius has formed a relatively stable concept of clothing.Through the deconstruction and exaggeration of the traditional elements of Rufu and dark clothing,the style features,color concepts,and general fabrics of Rufu and Shenyi were extracted.At the same time,not only the aesthetic ideas of traditional Rufu were emphasized,but also some modern aesthetics were added.The concept and western design elements achieve the effect of ancient and modem use,and combine it with the modem aesthetics and fashion trends to design new garments that satisfy both the formal beauty of moden clothing and traditional culture.Since the modem times,Western cultures have poured into China and Turkey,adding not only a lot of new varieties to Chinese literature but also a great impact on traditional Chinese culture.Therefore,the modern dress design should inherit the traditional Chinese culture and can prove the feasibility of the research conclusion of this topic through practice.