Research And Utilization Of Ku Shulan's Paper Cutting Design

In the course of the development of human history and culture,Chinese traditional culture occupies a very important position,and its materialized form of culture has become a unique artistic form of expression in the East.The unique national character of Chinese traditional elements is the unity of external form and internal spirit,and also shows the unique visual beauty.Among the traditional elements of China,paper-cut art is a traditional culture of the Chinese nation which has been spreading for a long time.The birth and development of Ku Shulan's color paper-cut art has strong artistry and uniqueness in the field of traditional culture,and it can be said to be a unique branch in the world's folk art.With the continuous development of contemporary economy and culture,traditional elements are widely included and applied in the field of design.The so-called culture is the fundamental creativity of the achievements of Chinese civilization.Folk paper-cut is the mother art of the Chinese nation.The protection of intangible cultural heritage is a process of cultural self-consciousness.It is also a process of cultural reflection and enlightenment.In the history of promoting the development of socialist culture,it is necessary to protect the "non-heritage" of Xunyi color sticker-cut.It is undoubtedly of great significance.At present,China is vigorously protecting intangible cultural heritage.At the same time,it is proposed to promote and revive traditional culture,combine tradition with modern,and design cultural design works with the folk traditional characteristics of collage paper-cut.Based on the investigation,this paper makes an experimental study of Ku Shulan's art form of color sticker-cut,using modern design,folk art morphology related ideas and literature research methods,field investigation methods and other research methods.This paper covers five points: The first part describes the main purpose and significance of Ku Shulan's paper-cut research,research background and content.In the second part,through fieldwork,we can understand the background and reasons of Ku Shulan's creation,and have a deeper understanding of his paper-cut culture.The fourth part uses the form of design composition to analyze Ku Shulan's paper-cut works,so as to have a more detailed understanding of them and pave the way for the next design creation.The fourth part is the practice part.Through the study of the first half of the article,we have a comprehensive understanding of Ku Shulan's paper-cut.We try to change the form of paper-cut display in the past,combine its paper-cut shape with different materials,different ways of expression and the current public's psychological needs for creative products,and create a functional and practical paper-cut.Artistic design works.The fifth part is about the research results of Ku Shulan's paper-cut,the height and shortcomings of the research,and the development and Prospect of Ku Shulan's paper-cut art form in the design.To show Ku Shulan's paper-cut to readers in a new form of design,so that more people can understand and understand the art of paper-cut culture,which is undoubtedly a transfer of culture,but also a combination of modern and traditional,using new ideas and new techniques to make the art of paper-cut in the revival of traditional culture with the times.In this paper,the author will take Ku Shulan's paper-cut graphics as the research object,analyze and summarize her unique paper-cut graphics language from the perspective of design composition,and elaborate the embodiment and application of Ku Shulan's papercut art in modern visual communication design.Taking Ku Shulan's design as an example,this paper explores and studies it.