The Image Of Female Ghosts In The Classical Chinese Novels Of The Ming Dynasty

Mr.Xiao Xiangming believes that the ghost faith in the beginning of human civilization has become common practice,embodies the original human aesthetic way and thinking habits,as a collective unconscious,profound impact on the national psychological composition,way of thinking.As Lessing said in the "Hamburg critics",there is no ghost narrative,literature will suffer huge losses.In the Chinese classical literature,the ghost in the ghost narrative works as the main description of the object appears.This article mainly discusses the traditional culture connotation of the era of the society of the Ming Dynasty,the view of literature,the feminine view and the ghost image,taking the image of the ghost in the classical Chinese novels as the breakthrough point."Introduction" part,summarizes the research origin of this topic,the relevant research situation at home and abroad,and the research methods used in this paper,introduce the innovation and significance of this paper.The first chapter of the ghost image source.Explain the connotation of ghosts,sort out the image of the ghost of the novel before the novel.First of all,with reference to ancient and modern books on the definition of ghosts,combined with the generation of ghosts,the "ghost" is defined as the soul after the death of the generation,with blessing,the supernatural power of the disaster.Secondly,it analyzes the image of the ghosts in the novels of Ming Dynasty,and analyzes the origin,development and rheology of the ghost image as a basis for studying the image of the ghost in the novels of the Ming Dynasty.Finally,the analysis of the individual ghost image of the novels of the previous generation.The second chapter is the cultural background of the ghost image in the novels of the Ming Dynasty.According to the background of the text,the author analyzes the causes of the ghost image in the later period of the Ming Dynasty in the light of the three aspects of economic change,philosophical thought and literary appearance.First of all,from an economic point of view,since the mid-Ming Dynasty,the rapid development of commodity economy,the interests of money,material enjoyment is sought after,heavy light and light become common practice.Secondly,from the perspective of philosophical thought,since the middle of the Ming Dynasty,the trend of individual liberation of the storm soared,women's talent,lust,the pursuit of love was affirmed.Finally,from the perspective of literary appearance,since the Wanli,the novel has shown a novelty and popular style.In the late Ming Dynasty,the society has gone through a great change in the era of rejuvenation.Scholars have a dual mentality of entertainment and enlightenment.The third chapter is the type of female ghost image in classical Chinese novels in Ming Dynasty.According to the way of ghosts and people interact,will be divided into gratitude,revenge,courtship,slander ghosts,to study its later novels ghost image shaping the impact.The fourth chapter is the cultural connotation of the ghost image in the novels of the Ming Dynasty.The third chapter is the cultural connotation of the ghost image in the novels of the Ming Dynasty.This paper analyzes the influence of traditional culture on the shaping of female ghost image,and analyzes the cultural connotation of female ghost image from four aspects: natural view,health outlook,ethic view and fate view.First of all,through the image of the ghost image,reflecting the ghost worship of the original faith.Secondly,through the image of the ghost image,reflecting the yin and yang and Taoist Taoism.Again,through the image of the ghost image,reflecting the re-affection,Confucianism is still Confucianism.Finally,through the image of the ghost image,reflecting the causal reincarnation of Buddhist thought."Conclusion" part,summed up the Ming Dynasty classical novels in the ghost image of the research focus and its research value,pointed out that the defects of this article.