Love Ghost Drama Research In Late Ming Dynasty Legend

The legendary drama creation in late Ming dynasty is a period of great prosperity,the combination of love and life and death are two themes to love ghost drama reached the peak during this period. Love ghost drama is such a kind of drama:the young men and women who is restricted by the feudal ethical code and the oppression, they can’t enjoy the happiness of love marriage, die for love, after into a ghost, can only meet their lovers in the dim and get love, after many twists and turns, born to love, or combine with formal lovers or short demon couple’s marriage love ghost drama. At present, the existing research of the love ghost drama in the late Ming dynasty, or ancient ghost drama research overview of the general nature and can not combine with the specific background of the late Ming and Qing dynasty’s ghost play love nature, or a single research of the love ghost drama, can’t dig a lot love ghost drama has the characteristics of the general and typed, the times background and ghost type, so the study of the love ghost drama in late Ming dynasty is very be necessary, can help us understand the ideological, cultural, aesthetic, also helps us to correctly understand the late Ming dynasty’s social and cultural background, the development of the literary men and dating plays.This thesis embarks from the affection ghost drama text, combines with the specific time background, makes the love ghost images as the breakthrough point, with a ghost in the plot as the center, and it has the introduction, the center content four chapters and conclusion.The introduction part mainly in the late Ming dynasty and affection love ghost drama do define related concepts, such as simple in this article to discuss one by one10love dramas as a ghost, and to love ghost drama of the past research were reviewed.The first chapter:" Ideological Content of The Love Ghost Drama in Late Ming Dynasty Legend."Feeling demon play with people fell in love and plot structure, with the help of love ghost this dim space existing in the perception and image of emotional, psychological activities, emotions, express, express love thought connotation, love, break free, express the ideological content, combined with the feudal latter-day era of late Ming social context, the allegorical society, in order to express biting the connotation, the three layers of progressive, mutual penetration. Embodied in:describing people ghost romance, make public sincere love; Human tragedy, express the ceremony; The dark reality, negative social system.The second chapter:"Characters Analysis of The Love Ghost Drama in Late Ming Dynasty Legend." Personality in love ghost figure is love ghost play full, strong vitality and most broad audience favorite character, this chapter both image classification and summary of features of ghost character analysis of specific image. In after the death of a home to return to country of soul as the classification principle,3love ghost characters can be divided into the line of sentimental demon, the lose of immortal, the reincarnation of the ghosts and white sadness Yuan Gui four types of cynical; With the manifestation of ghost fell in love and affection ghost characters in the story can put love ghost figure summed up as appearance beautiful, emotional attachments, personality as depressed after the death of make public the three basic characteristics.The third chapter:" Cultural Interpretation of The Love Ghost Drama in Late Ming Dynasty Legend." The ghosts is the deep cultural roots of the love ghost play, this specific historical stage and the late Ming era has its own unique cultural characteristics, this chapter seize ghost image and the era of the late Ming culture trait, from aspects such as ghosts culture and thoughts of the late Ming society, for love ghost drama culture deep reading. Detailed in this paper are: ghost culture infiltration of affection ghost drama plot, and the late Ming dynasty Confucian traditional culture and thoughts on feeling demon character double character and affection show part of the plot model.The fourth chapter:"Aesthetic Implication of The Love Ghost Drama in Late Ming Dynasty Legend."This chapter researches the love ghost drama creation ideas, principle of creation, and aesthetic pursuit of the three angles to explore its unique aesthetic implication. Creative ideas of "Romance" and "Main Affection" laid the affection of the ghost drama writing love and acacia emotion, real aesthetic characteristics of architecture by using the affection ghost drama art gimmick, in the process of the accounts and unreal interesting pursuit reflected the aesthetic standard in the process of viewers. Such a unique aesthetic implication let love ghost drama in the opera, drama and opera stage is sparkling, with the eternal artistic vitality.Conclusion part to summarize the full text and point out the deficiency of the paper.