A Study Of The History Of The Ancients In The Early Qing Dynasty

Theme about history and nostalgia is a kind of traditional poetry creation, history-nostalgia CI after the Five Dynasties, Song, Yuan, Ming has created many classic and difficult to obtain new breakthrough. However, in the early Qing Dynasty, lyricists who sufferred the era of drastic changes, used the ancient story and history to express themselves, and made the history-nostalgia CI with new vitality to shed new ligh.At the beginning of the Qing Dynasty, history-nostalgia CI achievement was in many ways. First of all, the nostalgia category is greatly expanded, the chant object not only included the traditional famous celebrities, but also included local relics, folk tales and other new chant object. Secondly, Its way is no longer confined to the simple with ancient history intoned, but with the painting, opera, singing, parting and so on. Finally, history-nostalgia CI of early Qing Dynasty also has a gradual process in the 80 years from Shunzhi to Kangxi, to the motherland from the deep felt yearning to gradually forgotten, narrative perspective from self appeal to other reflection.The thought of early Qing Dynasty history-nostalgia CI has the characteristics of groups. There are grief of defeated country and lost home, bitter of hopeless restoration of the Ming Dynasty,self-examination after recalling past pain, and Feeling of emptiness after despair in the adherents'history-nostalgia CI.There are sensation of being ashamed and uneasy, intention of explaining themselves and complaints of absent treatment in the turncoat officials'history-nostalgia CI. The upstart poet of early Qing Dynasty often avoid sensitive topic of Ming Dynasty mostly and agree or maintain the rule of Qing Dynasty in their history-nostalgia CI. With the change of times and circumstances, showing flat and peace in their CI, or some gloomy caused by unfulfilled.History-nostalgia CI of early Qing Dynasty in art schools also showed obvious features. Jiang Pingjie with Huajian Ci wind, represented by the sending more nostalgic history intoned Ci poem, expressed the rise and fall with female voice. The text of Chen Weisong CI, who represented by the Yangxian school history, was insolent and male defended, and had more vigorous masculine tone. Zhu Yizun, who represented the Zhexi school, his Cis was semantic and elegant. Meditate of Ci also had a variety of styles, such as Nalan Xingde's gray tone, the "secularization" color of Li Yu, Wu Qi's "Wind Records" taste, and poetess nostalgia intoned CI the heroine of sound, and so on.In short, at the beginning of the Qing Dynasty, meditate and emotional connotation on the History-nostalgia CI were rich and had various artistic techniques in nostalgia intoned CI creation history, and even in the whole history of CI has a role can not be ignored.