The Study Of Postmodernism Poetics Of E. Makanen's "Ashan"

Russian postmodernism is an important phenomenon of Russia's development in the second half of twentieth Century. Though influenced by western postmodernism deeply, the Russian postmodernism has a deep national roots and unique social historical style. From production, development and prosperity, Russian postmodernism experienced from "underground literature" to the "legalize". At the same time, Russian postmodernism and other contemporaneous literary genres and literary groups influenced each other, eventually, it formed its own unique style. In this process, there were a large number of outstanding Russian postmodernist writers and works, it made a great contribution to the development of the Russian literature and world literature.Makanin has long been known by Chinese readers as an important representative of the "forty years old generation". After entering in the 1990 s, the Makanin's writing style began to shift toward postmodernism, and gradually mature. He became one of the representative writer of Russian postmodernism literature, and plays an important and irreplaceable role in the development of Russian postmodernist literature. <underground man, or contemporary hero> published by Makanin in 1998, it caused a great disturbance in the literary circles. And later the novel became his representative work. If the <underground man, or contemporary hero> caused a "Literary Event" at the time, then compared with the former, the <Ashan>, came out in Russia in 2008, caused a great sensation in academic circles.For a long time, scholars of every country have a extensive research on Makanin and postmodernism creation. Since the <Ashan> had been published, the academic circles had a lot of research on it, most of them starting from the point of war literature, some people also researched from the angle of postmodernism on the <Ashan>, but only a few pens passing, not systematically and deeply. This paper interprets <Ashan> from the perspective of postmodernism, specifically from intertextuality and gameplay systematically interprets it. Published from 2008 until now, the <Ashan> has not been translated into Chinese. In this paper first discusses the Makanin and his postmodernism creation, then makes a simple statement about the main content of the novel <Ashan>. Through the connection between <Ashan> and other works <Cacasian prisoner>, this paper discusses intertextuality of the <Ashan>, and further analyzes deconstruction of Traditional Caucasus Literature by the novel <Ashan>. At the end of the paper, the postmodernist characteristics of <Ashan> is interpreted through the game of time and space and language games.