Study On Aesthetics Thought Of Su Shi's Calligraphy And Painting

Su shi,the representative figure in the history of Chinese ancient aesthetics.His theoretical works cover all fields of painting,poetry and calligraphy.In these works,Su shi expresses his own thoughts and ideas incisively and vividly,it is of great theoretical significance to the development of later literary and art works.The northern song dynasty was a period of light and martial arts,its art theory is very different from that of the former.The Song dynasty did not follow the laws of the Tang dynasty.Different from Tang Shangfa's point of view,unique novelty,to start yet to Shangyi.Su Shi is more willing to promote this kind of meaning.However,Looking at modern research,people's study of Su Shi's aesthetic ideas of painting and painting is not enough.Therefore,this article mainly studies the aesthetic ideas of Su Shi's calligraphy and painting.This paper is divided into three parts to study the aesthetic thoughts of su shi's calligraphy and painting.The first part is about the study of Su Shi's aesthetic ideas.This paper mainly analyzes the ideological basis and connotation of the ideological basis of su shi's aesthetic thoughts.Its connotation is to carry out research and discussion from its heart to its god and to its natural release.This part of the system discusses Su Shi's continuation and development,developed on the basis of predecessors,finally formed its own huge ideology.The second part,the indifferent nature in stillness and works of Art,the idea of expressing meaning in works of art is first of all the thought of natural indifferentness.This idea is in the works of art,It also manifests as idea of simplicity and plain nature.Because the external performance of different art forms under the control of what they think is different.Therefore,discuss differently in the three fields of painting and calligraphy.As Mr.Zhu Guangqian said,”If you want to gain light in the art,you must first have astrong life.”The third part,about expressiveness in stillness and works of art.Su Shi is not the first person to express his thoughts,but standing on the shoulders of predecessors,developed the theories of Gu Kaizhi,Zong Bing and others.Take the essence and discard the dregs,eventually develops personal theism.At the same time,Su Shi also inspired the development of expressive thoughts of future generations.Su Shi's expressive themes in his works are also vividly portrayed and vividly conveyed.Same as the second part,because different art forms have different performance.Therefore,research and discussion are also conducted in the three fields of painting and calligraphy.Su shi pursues the aesthetic thought of stillness,to advocate the expression of the author's feelings in the works of art,no longer separate emotional and artistic works,it's a positive fusion.Artistic works are only a material carrier for the author to express his personal charm.The style of aesthetic thought proposed by su shi,the artistic creation of literati in the song dynasty is directed to a road which seems to be quite different from that of the tang dynasty.But essentially,The meaning of song dynasty is based on the thought of the tang dynasty.First weight method,can it is meaning.This is also the essence of su shi's aesthetic thought.Su Shi made great contributions to the development of the ideology of ancient Chinese aesthetics.Inheriting the theoretical foundation of Predecessors' thoughts,the following is the continuous pursuit of meaning.