Comparison Of Tibet Painting Techniques Between SMan-thang And MKhyen-brtse Style

Influenced by the subjective and objective factors such as geography and aesthetics and so on,Tibetan painting art formed different schools of painting,including sMan-thang,mKhyen-brtse and sGar-bris in the course of its development.As far as the influence and current situation of each school being concerned,sMan-thang style of painting,originated in the middle of the 15 th century,is the most representative.Absorbing many Han Buddhist painting factors based on the original Tibet Nepal style and the Qi Gang-style,this painting style varies from the origin,development,maturity to date.ThemKhyen-brtse School and sMan-thang School originated from the same period,and were mainly popular in Shigatse and Lhoka areas.Based on the Nepalese school of painting art,mKhyen-brtsechenmo absorbed the techniques of painting in places such as Han and other places and created a unique style of the mKhyen-brtse painting.Based on the Byivu-sgang-pa painting style,maintaining the background,colors and other exquisite painting techniques and combining with his own artistic emotion understanding,mKhyen-brtsechenmo made a vivid portrait in the demeanor and posture of the statue of Buddha.Through the research on the formation and development of the two schools of painting,it is analyzed as the theoretical source and basis of the painting creation.To analyze the formation and development of two schools of painting and the composition of painting style,modeling,color applications,lines and other aspects of the study of techniques,provides a theoretical source and basis for the creation of paintings.