| S Sun Chengze is an important person in the identification and collection trade union in the late Ming Dynasty and early Qing Dynasty.His book of "Geng Zi Xiao Xia Ji" was the first book of Qing Dynasty’s collections and inherited the traditions writing style of Dong Yu and Huang Bosi.In the book of "Si Ku Ti Yao" also gave an evaluation of this book,"after recognized,has very good content,very simple and elegant expression method" and "high reference value for archaeologists." Otherwise,under the continuous emergence of the research results of art appreciation in the Ming and Qing Dynasties,the continuous publication of Sun Chengze’s works,and the continuous advancement of the case study of Sun Chengze,therefore studying his book of"Geng Zi Xiao Xia Ji " can not only meets the current academic trend,but also make the assessment in the book to a reality.This study first stared with the Sun Chengze’s evaluation in the identification collection trade union,then to analyzed the Sun Chengze’s book of" Geng Zi Xiao Xia Ji " from four aspect,including literary form,painting,calligraphy concept,Sun Chengze’s identification method.The first chapter of this study is to discussed Sun Chengze’s social circle.Based on the different identities of Sun Chengze’s contacts,his appraisal circle friends are divided into three categories,including Sun Chengze’s friendship and appreciation activities with his younger friends,Cao Rong and Liang Qingbiao,and Sun Chengze’s interactions and appraisal activities with Wang Duo,a friend of artistic creation,and Sun Chengze’s exchanges and appraisal activities with the student’s appreciating friends,Zhou Lianggong,Zhu Yizun,and Song Luo’s.Moreover,the study mainly used the records in Sun Chengze’s works,and the records in Sun Chengze’s friends’ literature,and the records on specific paintings and paintings to carry out a horizontal analysis,and outlined the general appearance of Sun Chengze’s contacts in terms of appraisal,as well as the recognition and rejection of the appreciating concept.The second chapter defines and judges the book of "Geng Zi Xiao Xia Ji" style and appraisal concept.In the first section of this chapter is to mainly analyzed the mentality of Sun Chengze’s writing the book of "Geng Zi Xiao Xia Ji" using the method of close reading.The second section of this chapter is mainly deals with the particularity of the book of”Geng Zi Xiao Xia Ji" in terms of writing style,and compared the writing stylewith Gao Siqi’s "Jiang Cun Xiao Xia Lu".In the third section of this chapter is to studied the concepts of the book of "Geng Zi Xiao Xia Ji".In the first half,to discussed the concept of painting by Sun Chengze was unfolded.Based on the research results of the existing art theory,the concept of Song and Yuan reflected in the book of"Geng Zi Xiao Xia Ji",and discussed whether Sun Chengze’s concept of painting is influenced by Dong Qichang’s theory of "North and South direction influence"In the latter part,this study is to focusing on the artistic concept of calligraphy ink and rubbings.Otherwise,in this section sums up Sun Chengze’s view of the Jin and Tang Dynasties on calligraphy ink and the core categories of his calligraphy and ink paintings.Moreover,it explored the theoretical value of the concept of the inscription of Sun Chengze on the mid-Qing period and the core aesthetic categories of the Han monument,Tang monument and Song’s tie.Chapter three:in this section mainly observed Sun Chengze’s identification method in the collection,by summarizing and reasoning the words about the appraisal part in the book of "Geng Zi Xiao Xia Ji",and compared it with the methods before and after the identification,thus to determine the historical value of Sun Chengze’s identification techniques.After this study completed,the one achievement is to summarized and analyzed the textual research methods of Sun Chengze’s identification collection,and the other achievement is to summarized and analyzed Sun Chengze’s use of stylistic methods in the identification of collections. |
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