| In this paper,the most characteristic of Tangka painting in Tibetan Tangka painting is taken as an example to study the application of decorative language in it.Decoration itself is art,Buddhism in Tibet by the people of faith and support,in the process of the development of Tibetan Buddhism,produced a variety of types of art products,including sculpture,clothing,painting,writing,architecture and many other aspects.These rich cultural figures reflect the Tibetan people’s attention to Buddhism,respect and admiration,but also show the great wisdom of the Tibetan people and superb life skills.With the acceleration of the process of modernization in Tibet,a large number of information and culture in Tibet,communication and communication at the same time,in order to meet the general public aesthetic taste,Thangka painting art aesthetic form is quietly changing.This has a long history of painting art treasures because of the degree of concern and the increasing demand and increasing the gradual loss of its past artistic standards,replaced by the time to shorten the drawing time and produce good and bad Thangka art works.The emergence of this phenomenon not only pulled down the overall level of highly decorative Tangka art.But also a lot of people who are committed to the protection of this intangible cultural heritage into a deep thought,these are enough to make people sad regret.In view of this,the study of the decorative Tangka art,the new form of Tangka’s artistic expression has a special significance.The Tangka art represents the highest level and aesthetic consciousness of the whole Tibetan Tangka painting art,and has high resea rch value.Through its decorative modeling,composition,color three aspects of the decorative meaning of the analysis,and selected the representative of the painting to conduct a detailed analysis of the painting.And further reveals the use of decorative aesthetics in religious art.The art of painting materials,tools,the main drawing theme also carried out a detailed introduction.This study is not just academic needs,but also for the protection of the Chinese nation’s profound artistic treasures of the original ecological part of the efforts.Tibet’s modernization process to accelerate,the Tibetan region has become a longing for the minds of the Pure Land,tourist destination.The function of Tangka art also evolved from a single religious function to multiple functions.Therefore,this article explores the art of Tangka art,while combining with the present situation of modern Thangka art,Dabbling.The Tangka art decorative research on the new development of Thangka art areas,such as printing,souvenirs and other aspects also have a certain guiding significance. |