The Historical Origin Of "Monte Thangka" Image

With the development and progress of Tibetan Buddhist Art Thangka,a religious painting style with many meanings,not only represents the preaching form of Tibetan Buddhism doctrine,but also shows the spiritual world of the people under the influence of this religious concept.In recent decades,academic circles have attached great importance to religious painting,which has attracted successive scholars to live in the study of religious painting art,but "Monte Thangka" has not been attached great importance.I think every cultural heritage has a different life cycle.Natural disasters,improper storage,man-made destruction and other factors may wipe it out.We should start it as soon as possible.The article takes "Monte Tangka" as the starting point.Firstly,it combs the historical background of Tibetan Buddhist exchanges between Mongolia and Tibet in Yuan,Ming and Qing Dynasties,and defines the concept of "Monte Tangka" in four aspects: politics,religion,culture and region.Secondly,it explores the context of the formation of "Monte Tangka",from the specific communication route,religious exchanges between political leaders and the Mian Tang School and the historical investigation to demonstrate that "Monte Thangka" is a unique collection of Mongolian Thangka painting styles composed of the introduction of the Mian Tang School in Tibet,the influence of the Palace Painting School and the integration of regional characteristics.And it demonstrates the painting characteristics of "Monte Thangka" from the "image measurement",Izhe Buzhundan Bazzana Bazar,Sui Tangfeng three aspects so that they follow the imagery ritual not only has the legacy of the Sui and Tang Dynasties but also Zana Bazar and regional painting features.Finally,in the three painting elements of shape,color and appearance,the image of the two series of Thangka in Mongolia and Tibet is reflected.All the inquiry processes of the article are based on the support of theories such as imageology,artistic style,art sociology,and cultural history,and refer to the process of narrative,combing,and interpretation of the research results of predecessors.