Landscape painting has always been the most profound feeling of nature of art to express painters,they traced through the hands of the brush will be natural,to convey the nature incomparable beauty every viewer.Pen and ink landscape painting create as one of the most important means of artistic expression,its importance in every period in each book has a special annotation.As a landscape painting professional learners,pen and ink is the focus of the author to learn landscape painting.I first started learning landscape painting is a copy Li Tang works,through his work the author for landscape painting ink had the further understanding.Southern song dynasty is a prosperous period of imperial court decorative painting.At the time of northern song dynasty landscape painting both in composition or ink from before painting style,innovation is less,the representative of Fan Kuan,Li Tang,Guo Xi,etc;Period of southern song dynasty landscape paintings in the composition and brushwork has big change and innovation,the southern song dynasty four everybody is the representative of this period.Li Tang as an important representative figure of the south song dynasty painting of change,both his paintings and artistic accomplishment and painting attitude,has a profound influence on later.That historically have not pause for his research,the author found in copy Li Tang landscape painting,pen and ink is a emphasis and difficulty of the landscape painting learning.Through the study of language to explore Li Tang landscape painting in the painting,Li Tang in two between north and south song dynasty this transformation period,is how to inherit and create their own on the basis of traditional pen and ink language style,then learning landscape for us to provide the important reference significance and theoretical basis.Li Tang rich and real landscape painting in the painting,there are both the imperial court decorative painting realistic and uniqueness,there are both vigorous boundless and pure and fresh and natural,use language to express the own life rich and colorful ink.The author inthe perspective of ink expounds from four parts: The first part is the introduction introduces the purpose of the selected topic and meaning;The third part mainly analyzes the Li Tang The Pine-soughing valleys figure,the pen and ink language in Qingxi yu yin figure;The fourth part introduces Li Tang landscape painting ink language revelation of the writer landscape painting creation. |