| Chinese figure painting has experienced a number of millennium development andformed its own unique aesthetic and style. It plays a important role in the art of the world.Chenhongshou is one of the greatest masters of Chinese painting, and his painting can not beignored. He created hundreds of works of art in his life.He apply the law of exaggeration anddecorative of the art to his creation ingeniously. His portraits are vulgarity, very unadornedbeauty and decorative beauty. By his consideration, the painting are far beyond the accuratereproduction of the characters, They are described distinctively. He open new wind figure ofpainting. Shou’s painting are highly rated depended on his grasp of the essence of traditionalChinese painting shape and image modeling.On the basis of in-depth study of Chinese Figure Painting, this article first leads to thepursuit of the Chinese traditional style of the "meaning", to grasp the image within themeaning of the specific understanding of imagery from different fields of philosophy,literature, art, and ultimately reach the concept of image modeling. Then the writer analysisthe reasons for the formation of shou’s living background and his freehand about art view, andthe three aspects of character modeling in shou’s works were illustrated. The conclusion isalso the focus of this article. That is how we apply the traditional image modeling to thecreative arts today. To study Hongshou’s methods of his character modeling and ideas ofpainting has a deep inspiration to the creators of contemporary art philosophy and charactermodeling study which is particularly important under the influence of Western painting imagemodeling concept of how inheritance and application. Look beyond the surface, and in-depthunderstanding of the shape of the inner spirit of Chinese painting, correctly handle the"meaning" and "like", inherit and carry forward the "image", create more full of periodfeatures and great national character of high horizontal paintings. |
PDF Full Text Request