The Analyses Of Rgyags Brngan Lha Bsang Chen Mo

Bsang Yig is a part of ritual literature,which entails purification and sacrifice local deities and mountain deities in Tibet.It is considered as one of the most important and indispensable components of Tibetan simmer Sang ceremony,which integrates antiquity,civil,religious and universality with text form.As an early and important Tibetan Bsang Yig works,Rgyags Brngan Lha Bsang Chen Mo has been regarded as the representative work of Bsang Yig style in past dynasties,so that the late Tibetan Buddhism sects,especially Nyingma,base on it to produce Bsang Yig.The content of Rgyags Brngan Lha Bsang Chen Mo contains both the early Bon purification and the late Buddhist Shrine.Under the different backgrounds of cultural change and historical events,by implementing similar to Buddhist fire puja ritual to the god to worship offerings,and to fully establish the Buddhist thoughts as the center of religious status.After the style of Rgyags Brngan Lha Bsang Chen Mo and the content and form of Tibetan simmer Sang ceremony were studied,I found that historical origins of the culture of Tibetan enshrine and worship deities,and it is of practical significance to study the religious life of Tibetan,which combines with the sacred and the secular.This paper attempts to introduce the spirit and connotation of Tibetan simmer Sang culture as a whole,and also elaborate the cultural connotation of Bsang Yig.By discussing the origin and the change of simmer Sang culture,I try to find the origin of the style of Bsang Yig and the position of Rgyags Brngan Lha Bsang Chen Mo in Bsang Yig.Firstly,about the origin of Rgyags Brngan Lha Bsang Chen Mo,according to the historical legends and the postscript of itself,this paper retains that it is written by master Padmasambhava when he held the world sbyi bsang at Hebo mountain of Samye monastery,and it was hidden for various reasons,eventually discovered by famous Nyingma master Guogi Danchidgan in the fourteenth Century.As for the controversial part that it is written by Padmasambhava himself and treasure texts,this paper discusses it in details by the combination of the chapter and verse and logical reasoning,and concluded that the legend of the master Padmasambhava wrote it in the eight century is laid the ideological basis for the origins of this work,and the conclusion of the actual time that it formed into book is the hidden mining period.Secondly,this paper analyzed the style of Rgyags Brngan Lha Bsang Chen Mo,from the aspects like the frame structure and paragraph arrangement of this work,and the way of ritual arrangement to emphasis the central position of Buddhism.The author also explains difficult words in this work,and discusses how this work come from life of Tibetan and reflect their lives.This paper discusses the stylistic features of Rgyags Brngan Lha Bsang Chen Mo from its content and form.From the literature characteristic of the ancient and historical aspects,it illustrates the content of literature across time and space characteristics,and based on the features of style external form and format of the form features and causes of analysis of the literature and function,etc.Finally,this paper proceeds with the influences of Rgyags Brngan Lha Bsang Chen Mo on the style,structure and even the integrality of late Bsang Yig.It discusses the influence situation of this work on Bsang Yig style.In summary,this paper discusses the significance of stylistic contains Tibetan cultural roots of the typical case of Bsang Yig.I hope this paper could provide a reference for the study of Tibetan Bsang Yig culture,and help to make a further study of Bsang Yig.