A Study On The Shanghai Writer Alley’s Writing Since The 80s

In the study of city writing and cultural identity,Shanghai is famous for its multicultural qualities.In the study of Shanghai in literature,"Tradition" and "modern" as two loud parts of Shanghai’s imagination,become a significant learning.But "modern" has been described as Shanghai’s “tradition” since the 20 th century,that’s a paradox.In the narrative literature of Shanghai,whether the author presenting the urban landscape or spirit,or constructing modern Shanghai imagination through the narrative technique of modernism,"Modern" is the only readable sign of the imagination of Shanghai,but the "tradition" and Shanghai’s urban imagination has not been taken seriously.The culture of wu-yue and its urban spirit are the spiritual signs of Shanghai writers’ imagination of Shanghai tradition and recognition of Shanghai tradition,and traditional culture and urban spirit are the core of traditional Shanghai.Therefore,imagining the "Shanghai tradition" is to construct the traditional Shanghai image through the way of the traditional urban spirit.Since the new period,some Shanghai writers’ writing in Shanghai has followed the traditional narrative tradition of Chinese traditional novels and coached the traditional cultural connotation of Shanghai,thus completing the attempt to imagine Shanghai from the traditional sense and agree with Shanghai tradition.As a traditional residential building in Shanghai,alley has become the ideal space for writers to lay out the daily narrative.By describing the alley culture and secular life,the Shanghai writers constructed the complex relationship between "tradition" and literature Shanghai imagination and urban cultural identity.Using cultural studies,spatial studies,sociological research and other methods,literature and urban culture as the starting point,This paper attempts to write a whole story on the development of the imagination and the loss of Shanghai in the alley of writers in Shanghai since the new period.On the basis of this study,this paper explores the mechanism of the construction and recognition of the traditional Shanghai urban cultural identity,and analyzes the cultural significance of Shanghai’s imagination in the context of traditional culture by contrasting and analyzing multiple dimensions of the literary alley and traditional Shanghai imagination.The paper is divided into five parts:In the introductory part,this paper simply explains the origin of the research problem.The text is divided into four parts:The first chapter focuses on the analysis of the modern literature period alley has become a writer in Shanghai to write the market situation,imagine the Shanghai tradition,the construction of traditional Shanghai imagination of cultural geography;The second chapter focuses on the eighties and nineties Shanghai writers through the story of alley,the use of alley Shanghai language to imagine the Shanghai tradition,the construction of traditional Shanghai imagination and cultural identity;The third chapter analyzes the performance of the Shanghai writers in the new century,the traditional Shanghai imagination constructs the concrete manifestation,and carries on the cultural reflection in the comparison;The fourth chapter focuses on the analysis of "traditional" and the meaning of Shanghai’s imaginary construction.