A Compassionate Observer

Yasujiro Otsu has entered the creation peak in 1949,his movies became more mature and classic.This article will to research and analyze the film creatived during this period,thinking how could ozu's film keep energy after it cross the time river,discussing the human compassion contained by his movies.This paper is divided into five chapters:The first chapter introduction is divided into three parts.Firstly,I'll make a whole bedding to introduce the environmental background of Yasujiro Otsu film studies,in the process,found that the film contains the thinking of life and of human care is ozu's works continue to focus on the key,which greatly enriched the connotation of ozu film,is also part of the lack of domestic films,allowing the author realized that it will be in this paper,we study the meaning and value of ozu film;Next to a detailed analysis of the research status at home and abroad,for compassion as a foothold and the breakthrough point,is conducive to unscramble ozu's work,is also a novel Angle;Finally,this article USES the research method is introduced.The second chapter the author make a simple combing to ozu and movie creation,establish necessary realistic background.Secondly to explanation of compassion,finally combining with the understanding of compassion,from tianjin reversal film grammar behavior capture their compassion.The third chapter emphatically described in the form of a film style and unique movie style two aspects carries on the analysis of the post-war period.On the form style,with a low Angle of shoot,fixed reservation,front view and the actors perform restrictive for introduction,analysis of ozu works behind these visualization techniques of implicit compassion;In post-war movies style,through the comparison with akira kurosawa,highlight the ozu differentiation form of realism in the works,trace compassion is to form the difference and film style to the real power.The fourth chapter will view back to the movie,through the works of ozu observation points-middle class family,from the double angles of subject matter and content,step by step analysis.Analysis from two aspects,one is the Angle of the middle class,2 it is to contain the intergenerational relationship in the family,social pain and embodies family members for a good review,eventually will always separated from the specific content.The last chapter,it is according to the analysis of the above study,the compassion of ozu film to cultural interpretation.On the one hand,the pain of human existence: separation,aging and loneliness in constantly thinking,performance,on the other hand,another layer of compassion,value of beauty,such as resistance to their desire of tolerant,open resilience in the face of tragic fate.In the suffering of life and the value of mutual antagonism and foil,the appeal of compassion to burst,finally let ozu works across the block of time,for each time.To sum up,this paper takes pity as the breakthrough point,from the Angle of film form,style and theme of ozu works for carding,analysis,and make interpretation to the humanistic meaning of the compassion is the academic value of this article;Analysis and study the formation of ozu film prosperous a more comprehensive understanding,also for their own plight of film art is bring some inspiration in this paper,the application of significance.Yasujiro Otsu will film the feelings of compassion rests in the family in,view,one of three sigh,and retaining its work over a long period of time.