The Expression Of Mourning In The Family Field

In this thesis,it has deep research on the work of Yasujiro Ozu,who was a famous film director in 20 th century,while it is based on the family field in the film of Yasujiro Ozu and analyzes the emotional moments of it.By means of the research on the historical data and background,it can find the origin of Yasujiro Ozu with mono no aware aesthetics.Besides,through the currently existing films of Yasujiro Ozu,it can explore the mono no aware hidden inside the family field.As to the family field in the film of Yasujiro Ozu,it represents the order of space,verifies that family is the bond to maintain emotion,and also the warm home in the heart of people,it is really frequent for the similar roles and family models in his films,and by means of his construction to the family field,it can form the precondition to express mono no aware.The director Yasujiro Ozu have ever said that film focused on remaining taste,while the author thinks that the remaining taste of his film is the feeling of mono no aware to people.The representation of front view,low angle,fixed lens,and air lens,and also the abstinence to the performance of actors demonstrate his distinctive art style,but it is not difficult to find that this special film language complements with this feeling of mono no aware.Under the background of time of change,Yasujiro Ozu chose to view the world in an oriental attitude view of mindfulness,figures in the film all accept their own destinies respectively,while the cherish and sticking of Yasujiro Ozu to family realize the feeling of mono no aware.