The Research On Ancient Chinese Characters' Structure Of SANTISHIJING

SANTISHIJING,also named Wei Stone,Zhengshi Stone,Stone of three typefaces,is the second stone in the history of our country,following by the production of Xiping Stone.This stone has very important significance in the history of Chinese characters' development,for it is engraved by three types of typeface,ancient Chinese characters,Zhuan scrip and Li scrip.However,due to the serious damage to the stone,the ancient material flow less,the research starts late,progress in stone research has been advancing slowly in recent years.Especially in the configration of ancient Chinese characters,predecessors with less works,few researches on the ancient characters,the lack of systematization of related study,it needs further improvement.In this paper,the main research material is Sun Haibo's “Stone of Wei three typefaces Collection”,it was published by the Taiwan Yee Wen Press in 1975,to which included ancient Chinese characters as the research object,with the aid of related materials and academic works.On the basis of the ancient Chinese characters form,we try to summary the characteristics and laws of ancient Chinese characters in the configuration aspects,hoping to do some work in the ancient Chinese characters' configuration research.The paper is divided into three chapters.The first chapter is the introductory part,mainly explains the purpose and object of the study,the research overview,the theoretical basis and the research methods.The second chapter is the main part of this paper,respectively discusses the configuration of ancient Chinese characters on line,simplification,complication,substitution,erroneous transformation,apperception six aspects of features,and use specific ancient Chinese character cases to comparative and analysis,and summarize the law.Among them,the“simplification” is mainly composed of simplifying stroke,radical,component and form four aspects;the “complication” mainly present as increasing stroke,radical,component and form-decorating four aspects;the “substitution” is mainly manifested in two aspects: azimuthal exchange and radical replacement;the “erroneous transformation” is mainly about the near and wrong,the separation and wrong and error three aspects;the “apperception” is mainly about similar category,text category and group category three aspects.The configurational evolution of ancient Chinese characters of SANTISHIJING are interspersed with each other,but also different from each other,acting together in the glyph structure system,have a profound impact on theevolution of the ancient Chinese characters structural system.The third chapter is the conclusion part,gives a brief introduction of its research value.