| When we looking over the documentaries about wild animals both in China and overseas, it is very obvious to find out that the documentaries use the anthropomorphic narrative descriptions, so that the wild animals in them are just like the beasts wearing the human clothes. Animals and human beings have the most similarly living states. It is supported human to look through their own life with another version. Animals are just like a mirror for people, also the anthropomorphic is a way to understand the nonhuman things. As the Fables of Aesop mentioned in the stories by using anthropomorphic animal stories to describe the conflicts and experiences that human might face at six B.C. centuries. The documentaries are fully attractive to people because of the powerful life, also no matter the age groups, gender, nations, culture and belief you have, the anthropomorphic descriptions are useful for the creators who make up the ecosystem structures and benefit to connect the relationship between audience and animals. The animals’ kingdom is built up from people, in the other word, it is the reflection of the human’s world, people need to admire and understand the beasts in the documentaries. They are obliged to transfer the ideas of world system to the ecosystem. Nowadays, the documentaries of the wild animals which use the anthropomorphic narrative are more and more spontaneous influence the thriving market worldwide. Owing to the differences from domestic wild animals documentaries and overseas wild animals documentaries are fully distinct, this essay will focus on the point of anthropomorphic animals and the study of anthropomorphic wild animals documentaries to get the theory of "the documentaries of the beasts are the refraction mirror in human’s world". Furthermore, we will discuss the specific cases of anthropomorphic wild animal documentaries, the affects to the audience and the help of the discoveries of domestic wild animals documentaries and theories for our future. |
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