The Color Characteristics Of The "Han Xizai Evening Banquet"

The creation of "Han Xizai evening banquet" in the period of the Five Dynasties, the author Gu is a famous painter of the Five Dynasties, and the "Han Xizai evening banquet" is one of his masterpieces, which works by painters are respected. No matter is the perspective, have attracted the art experts to study it in different angles or vivid style, content, and works from the composition, the authenticity of the other version. In today’s era, constantly innovate the way of painting, the color of the continuously enriched, on the basis of innovation should continue to study the essence of the ancients can forge ahead. In the "Han Xizai evening banquet", the picture color is bright yet quaint, echoed the association between characters, characters and instruments in a loose active color event, in order, harmony and unity. Color as a unique painting language, to convey a variety of information, it can affect people’s mood, bring the viewer with different feelings and associations. As early as in the feudal society, the color was given the will of people and feudal ethics, different colors represent different social psychological characteristics. Like the bright red, people put red as a symbol of good luck, so in ancient times, whether the marriage, or champion of all the wedding is decorated with red. "Han Xizai evening banquet" is Gu Hongzhong attended Han Xizai’s banquet, through the eyes and learn by heart, draw works, so there is a lot of subjective knowledge and complex ideas, using a large number of decorative color. Provides a good way to convey these colors for him to show important guests pruriency extravagant scene. Name banquet map, the author did not draw the night, with a candle to convey the breath of night, it shows the author’s intentions. The author will paintings woman dress cinnabar, azurite, malachite green, with bright colors to decorate, simple and bright colors. The size and hardness of different colors in the decoration works, were interspersed with different form, the rich images to the extreme, so that the screen is active and dignified, bright and refined, full of loud. The author uses a strong contrast to the way, by comparing the characters of size, color and contrast, clever meticulous depicting Han Xizai’s unhappy. Pictures of ladies makeup bright clothing and a male guest of the black shirt, in the color contrast. At the same time, the image of the atmosphere and the excitement of the heart of the depression and emptiness, no alternative to the complex inner world. Hard soft color color and various forms of the clever use of the size of the different characters will highlight the most incisive, the picture forms a simple, loud, harmonious, deep and rich decorative aesthetic effect. Through clever collocation of characters and relationships and color and decorative color perspective to analyze the characteristics of Han Xizai’s "color banquet map", the use of color and brushwork figure painting in the future exploration has certain guiding significance.