Thousands Of Faces In The Painting Landscape

In the history of ancient Chinese painting,the existing picture of Han Xizai’s Evening Banquet in the Palace Museum has a high value of artistic appreciation and research.Its dating research and creator’s research have always been a hot topic,and it has been gradually paid attention to by various professional colleges and universities as the imitation object of professional practice courses.Among them,there are also comprehensive research and analysis of the image itself in various academic journals.Academic dissertations are mostly based on the appreciation of the presentation effect of the image itself and the discussion of the characteristics of "montage technique" and "narrative" of Han Xizai’s Night Banquet.However,as a professional scholar,how to avoid "looking at the picture and talking",and how to combine the graphic research materials and practical experience in professional practice and sublimate to more academic value is a problem worth exploring.Many Chinese classical paintings have not been eliminated until today,but the unique styles and characters in the paintings have been gradually refined and reshaped into new classics in line with the significance of The Times.As a narrative work endowed with special significance,the figures in the painting and the historical background of creation have been recorded in different documents.It is because of its particularity that it has attracted the attention of painters and collectors.Many painters have copied and created different versions,and the number of historical records is as high as 26.This is a rare cultural phenomenon in ancient Chinese figure painting and even in the history of Chinese art.The theme of "Han Xizai’s Banquet for Guests" has been gradually developed and refined in the evolution of various times.Although the original appearance of its mother has been unable to be determined,this paper hopes to propose several problems existing in "Han Xizai’s Banquet"(the Palace Museum version)from the perspective of physical research by combining with the practice process of copying.Then,we will sort out the different versions of Han Xizai’s Night Banquet and find out their similarities and differences,and discuss how the picture processing in Han Xizai’s Night Banquet and the characters’ image characteristics in the painting have been "canonized" step by step in the long history,so as to improve our cognition of the development history of figure painting in different times and trigger more thinking on the phenomena behind the image culture.