Study Of Sun Long's No Bone Flower-and-bird On Painting

Since flower-and-bird painting separated from landscapes, portraits out, after drawing up a separate style, with regard to the rapid development of strong vitality, through continuous exploration of ancient painters, flower-and-bird painting of expression so that more and more rich, “boneless” to its unique artistic characteristics in the field of flower-and-bird painting.Sun Long is famous court painter of China's Ming Dynasty, whose unique style of painting promoted the development of future generations of flower-and-bird painting, the flower-and-bird painting in the history of development have made indelible contributions. He inherited the Northern Song Dynasty painter Xu Chongsi boneless painting at the same time turn the Literati Impressionistic elements to integrate into the bone is not traditional, different from the traditional painting techniques he would predecessors in painting "straight to the color map" change into "straight color to write the" color instead of ink, without outline, direct painting, in which the ancients did not integrate into the bone painting impressionistic element, the succession of seeking to develop the impressionistic style of the palace into the academy, and created a unique "hit the water hit color" approach, expanding the boneless flower-and-bird painting performance techniques, the boneless flower-and-bird painting into the front of the times. Sun Long's painting style influenced a number of court painter, but also had a profound impact on the emperor Zhu Zhanji, and opens the door of the Ming Dynasty freehand painting.