Research On Ju Lian's Boneless Flower And Bird Painting

The regional color of Julian’s flower-and-bird paintings is particularly obvious,which is closely related to his life experience.All his footprints were in the Lingnan region.In the second chapter,based on Julian’s artistic experience,this paper analyzes the reasons for the formation of Julian boneless flowers.How did Ju Lian become the key figure in the painting without bones,and how did he become a family in his own practice? In Chapter three and chapter four,this paper analyzes and studies the above problems through the aesthetic consciousness and unique schema language of the ancient and unimitated Ju Lian teacher.By exploring the subject matter,composition,sketching,techniques and other aspects of Julian no-bones painting,this paper analyzes the characteristics of the formation of Julian no-bones painting and its help to personal creation.On the basis of predecessors,this paper conducts an in-depth exploration of Julian’s flower-and-bird painting works,analyzes the application of the sketching and techniques of Julian’s flower-and-bird painting in personal practice,and applies the research conclusions to personal sketching and creation.