Practice And Research On The Creation Of Boneless Flower-and-Bird Painting Of —"Phantom Of Separated Gauze"

As one of the expressive techniques of Chinese flower-and-bird painting,the boneless method has a long history.With the rapid development of science and technology,the painting forms of flower-and-bird paintings without bones are also changing.With the rise of boneless painting in the new era,there have been more innovations and breakthroughs in techniques of boneless painting.Modern boneless flower-and-bird painting is gradually developing in a diversified exploration in line with the development trend of The Times.In today’s painting world,it can be seen from a variety of painting publications and exhibition works of various levels that the color language of painting has gradually become rich,and the media materials used in painting are constantly updated and expanded.Nowadays,many painters like to use the transition and penetration of color,and this technique has become an important way to express the painter’s inner aesthetic.The transition and infiltration effect between colors represented in the method of water and powder collision is very prominent.It uses water,ink,color and powder to flow and collide naturally on the cooked rice paper,so as to produce changes in the relationship between cold and warm,purity and brightness of the picture and unpredictable texture traces,so as to express the texture and form of the painting object.Nowadays,some contemporary Chinese painters break the habit of pursuing the ultimate artistic conception in traditional Chinese painting,integrate the elements of light and shadow,and make many new attempts in the expression of color.They make reasonable use of objective light and shadow in their works,and also emphasize the expression of subjective emotions in the picture to create an emotional atmosphere,forming a different use and expression of light and shadow elements from Western paintings,thus producing a unique Chinese painting of the wonderful expression of light and shadow language.This paper first expounds the origin and development of boneless flower-and-bird painting,and then studies the composition and layout of their works,as well as color techniques,and analyzes and learns their unique painting language through the case analysis of the style characteristics of the boneless flower-and-bird painters.Combined with the expression form of the painting language of the phantom of the veil drawn from Xu Hualing’s paintings,this paper introduces the creation practice of "the phantom of the veil".This paper expounds the preparation,composition and modeling of the series creation,analyzes and summarizes the painting language and expression mode in the series creation,and makes a detailed analysis of the collision of water and powder,light and shadow performance.Finally,the author expounds the experience and reflection in the creation,and summarizes the experience and shortcomings in his own creation.