The Study Of The Middle-late Tang Dynasty “Shangchun” Poetry

ShangChun is one of the themes of the ancient Chinese literature.It mainly spring phenology, scene and circumstances as her object, in order to "ShangChun" "XiChun" "HenChun" "YuanChun" "MinChun" as the theme, generations of poetry rich emotional connotation.In <<All Tang Poetry>>, the author trys to damage the theme,image and emotional aspects of the connotation of all present a pluralistic trend,become the Chinese ancient literature history be reckoned literary phenomenon.Paper is divided into three parts, specific as follows:The first part is the introduction.Is mainly the research status of paper and the insufficient of a brief summary, and direction of research methods and innovation of this thesis.The second part is the body.The first chapter is mainly to ShangChun poetry near the damaged before the the middle-late Tang dynasty and development, the author gives a brief explanation.First on wounded ShangChun theme, ShangChun literature sources and defining the concept, put forward Shangchun poetry refers to the prose poem described in spring natural object or phenomenon such as characteristic point:common, elicits the creation subject sorrow, sorrow, depression, sentimental negative emotions, such as the characteristics of the poetry.Then the Shangchun poems before the middle-late Tang dynasty,Finally through Shangchun poems the middle-late Tang dynasty in the ShangChun of the writer, works for quantitative analysis, a brief overview of its development.The second chapter mainly analyzes Shangchun poems of the middle-late Tang dynasty, including the time of the perishable wail, parting thoughts of cut, best hatred of acacia dismay, great resentment and helpless, hurt when feeling sad, hanging the regrets six themes of emotional hurt in the world, reveals the abundant intension of ShangChun poetry emotion.The third chapter mainly analysis was carried out on the poems of the middle-late Tang dynasty of the artistic features of poetry.Creation subject from vision, hearing, touch and other senses to experience the natural object, through a variety of approaches to tell self and external objective object the contradictory complex which is formed by the sad mood, trying to find a single or combination of images in literary works in can characterize "yan wai zhi yi" " yun wai zhi zhi ", actively create the content I muddy melts, hazy about the artistic conception.The fourth chapter detailed interpretation of this kind of poetry in the near period development and evolution.Entered the Tang Dynasty, literati in the slaughter,scenes of people displaced from their homes, their creation based on their own to see real life.Xian zong yuan he zte, poet unbalance, weak, injured in the spring of poetry style is desolate and bleak, secluded cold face, the sad times sing it is difficult to regret.Period of Tang Dynasty, Tang Dynasty crisis deepened, a great change of the literati mentality, ShangChun poem style to present the features of the cold thin hard songs, wailing colourful muddy harmony, is a.in sight.The third part is the conclusion.Near the injury, in which a ShangChun poems and value in the position in Chinese ancient literature, poetry and attributable to the full text briefly.