Late Tang Wu Fu Study

Object-chanting,is very common and important in the Chinese Ancient Literature.Not only descripting the external image,but also artistic creation and distillation,and expressing the author’s emotion is good object-chanting Fu.There are all kinds of Fu in the late Tang Dynasty,such as poetry Fu, Lv Fu, Wen Fu, and Pian Fu,which have different characteristics. The art of language generation is different from previous Fu. In the late Tang, Dynasty the satire Fu and those works reflecting author’ emotion in chaotic late Tang Dynasty are more valuable ideologically. And changing of the Lv Fu, formation of Wen Fu, and miniaturization trend of Fu all occursed in late Tang Dynasty.Researching Object-chanting Fu will enable us to understand the style in the late Tang Dynasty from another side.The paper is composed of introduction, three chapters and a conclusion part.The part of introduction analyses the meaning and value of Fu in the late Tang Dynasty as well as the status of the late Tang Dynasty object-chanting Fu, illustrates the problem of category and stage of object-chanting Fu in the late Tang Dynasty, and review the previous research results before the Tang Dynasty.The first chapter discusses the origin, concept, characteristics of the object-chanting Fu. The writer is very keen on the writing of object-chanting Fu. And sentence pattern of the Object-chanting of Han Fu is amost four words.The content always praise morality or describe objects simply, and those profound meaningly works are rare. In period of the Wei,Jin,Northern and Southern Dynasties, Object-chanting Fu structure tends to short and the difference is the object-chanting Fu is more lyrical, and the scope and subject matter have more progress than in the Han Dynasty. In the early period of the Tang Dynasty Object-chanting Fu inherit the previous generation pianfu structure, also has the innovation, and the subject always express positive and unfulfilled ambition. With the prosperity of ancient prose movement, the Middle Tang Fu also changed. During this period Lv Fu has gradually matured, and works limiting rhythm also appeared in large numbers. Han and Liu faction Advocat ancient style,and they are unwilling or disdain to write Lv Fu.There are more Sao Fu, four words Fu or prose Fu. The Middle of Tang, Fu open up a fresh outlook,and Tang Fu creation entered the peak period. The Tang Dynasty Object-chanting scope continues to expand.Wen Fu also has been born, and the form of Lv Fu also gradually shape, and a large number of Fu expressing of the social bad atmosphere emerged..The second chapter discusses the characteristic respectively from two aspects of structure, and the style of late Tang Fu.There are all kinds of object-chanting Fu in the late Tang Dynasty. Four words of poetic Fu is short of structure, and these object-chanting Fu was born in specific political environment, had distinct political direction; Wen Fu include archaism and renovation works.The archaism Fu mainly have scattered sentences, some whole section description, and not flexible. Renovation works own more prose sentence, and more flexible than Han fu. There are quite a lot of restrictions in Lv Fu creation. Some Object-chanting Lv Fu have break the limitations of proposition and intentions,and tun to express the author’s personal feelings and attitude to life. Pian Fu is more flexible and changeable. The language style of late Tang Dynasty is tend to plain, and paying more attention to the subtle use of various rhetorical devices, and the language of satire Fu is implicit and explicit ends.The third chapter analyzes the emotional connotation of the late Tang Dynasty object-chanting fu. In the late Tang Dynasty, the increasingly serious national military governorship go from bad to worse. In the disturbing social environment, literary works more express sad mood, decadent emotion, or masquerade indifferent. These are also expressed in the object-chanting Fu creation. The late Tang Dynasty object-chanting Fu according to whether or not having Xing Ji can be divided into Fu of pure discribing and Fu of lyric consign. Comparing with the simple Fu, Fu writers prefer to discribe subject to express feelings, or arguing, making it have more profound meaning and value of thought. Actually,this kind of works is self-evident Fu. The value of self-evident works lies in its not only parabolic,but expressed the author’s true nature and real life experience.Emotion and connotation of these works is more about expressing personal ambition, expression of seclusion and reclusive feelings, and the author’s experience. In the late Tang Dynasty, there are many ugly, small plants and animals image in Object-chanting Fu, such as scorpions, spiders, ticks, silkworm, autumn insects. there are some works reverse previous Fu,and express dissatisfaction of reality and the political and social problem.