A Slightly Research On The Deer Image Of Poetry In Tang Dynasty

The deer is an animal which is closely related to mankind,it entering into the writing of literature in the early time,and becoming an important literary image.Tang poetry,which as the highest peak of classical poetry,there are large amount of description of deer image,passing a variety of ideas and emotions.This paper aims to analyze the emotional interest and cultural connotation of the deer poems in the Tang Dynasty,with 397 deer poems as the research object.The full text is divided into four chapters as follows:The first chapter is the recursion of the connotation of deer culture and the evolution of deer image.In our country,the deer culture has a long history,as early as the primitive society,deer had been linked with human's social life closely as a material resource.With the development of primitive religion,the deer possess a super-material level of cultural meaning,and becomes the symbol of reproductive worship and totem worship.The deer image in literature first appeared in the Book of Songs,Such as "Luming" "Lin of the toe" and so on,mostly for the use of Xing.And then the “Songs of the South”,Han Fu and the poetry of Wei Jin and the Southern and Northern Dynasties further enriched the performance of it,and established the image of an independent protagonist in the literature.At the same time,the seclusion connotation of the deer image is also beginning to take shape.The second chapter is a statistical analysis of the poetic creation of the poems in the Tang Dynasty.A total of 397 poems were recorded in the paper,including 18 in the early Tang Dynasty,57 in the prosperous Tang Dynasty,97 in the middle of the Tang Dynasty,and 225 in the late Tang Dynasty,showing an obvious increasing trend.Based on this,the author also explores the reasons for the richness of the deer image in the Tang Dynasty,and points out that,it is related to the maturity of the image art in Tang Dynasty,the emotional preference of the poets and the flourishing of the deer culture.On the other hand,the Tang people have a sincere love of the deer,performance in the clothing dress,diet,arts and crafts and other aspects,which gave birth to the rise of the deer culture in Tang Dynasty.The third chapter is a detailed analysis of the deer image poems,aiming to explore the multifaceted emotional connotation of these poems.In the expression of the world with mind,there are auspicious characterization in family and country level,power struggle in political level,and the close interaction between Talented persons in social level.In the expression of the seclusion ambition,the poets sometimes focus on the deer's noble mind,sometimes then concentrate on depicting the leisurely life and the seclusion environment,or showing people's intimate contact with the deer.In addition,There is a class of more special is to express the worry of the political situation with deer allusions.However,on the whole,the deer image in Tang poetry is particularly to describe the seclusion feelings.The last chapter is an analysis of the artistic characteristics of the deer image poems.The author expands her discussion mainly from three aspects : express ambitions with special things,ingenious use of allusions and image combination.First of all,the creation of deer poems is mostly express feelings with deer,impure deer poems but with deer images are also inseparable from the “meaning” category,Therefore,expressing ambitions with special things is one of the most commonly used artistic techniques of deer poetry in Tang Dynasty.Besides,the poet in Tang Dynasty is also good at digging with the deer-related allusions,or satirizing the society with allusions,or expressing the lyrical and sad sigh,which can always achieve a better artistic results.Moreover,the meaning of the deer is diversified,and often appeared with other images,such as crane-deer image,ape-deer image,wolf and elk deer image,these are the unique features in the use of deer image of Tang poetry.