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Study On The Evolution Of The Modality And Aesthetic Value Of CCTV Documentary After 1980

Posted on:2017-12-13Degree:MasterType:Thesis
Country:ChinaCandidate:J ZhaoFull Text:PDF
GTID:2335330485460203Subject:Radio and television arts
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CCTV (China central television (CCTV) or abbreviations or CCTV, has been its resource advantage and production impact strength leads the development direction of China's television documentary, always adapt to the change in different stages of the development of The Times, and many important works are called the change of the history of Chinese television documentary milestone CCTV documentary development is a process of national ideology is packing change, whether in the form of show evolution or audio-visual language technology progress, although overall is a process of from the sublime to the affinity, but through constant is a documentary on the penetration of traditional Chinese values, and for the construction of national image This article first chapter narrates the research background of this article, first has made the research status of carding and definition, and proposed in this paper, three research questions; First, as a documentary production agency, China central television (CCTV) since 1978 sets of the documentary presents how to form evolution history, second, its aesthetic value presents how to change and the third, the central television documentary production aesthetic value is what Second chapter combed the China central television (CCTV) since 1978 documentary form evolution, from the overall form, philosophy and art form) externalization form (form and morphological) inner forms (narrative) and art form three dimensions to analyze the development and changes of nearly 40 years, from the overall form, CCTV documentary experienced greer Johnson record concept under the influence of the visualization of political (1978?1990) of new realism under the influence of the nature of documentary regression (1991?1995) records of important historical events large docudrama steering (1996?2000) under the influence of the new historicism social documentary (2001?2010) mass culture infiltration under the context of popular documentary (since 2010); In formations, CCTV documentary passed from one chip to series, the series into columns, from column upgraded to the procedure of channel; Form from within, from simple to complex, from single to complex, narrative type experienced poetry, participatory and single interpretation and pluralistic interpretation of history. The third chapter is about the connotation of CCTV documentary aesthetic value and evolution, this paper holds that the aesthetic value of CCTV documentary after ", road, river, mountain wall "culture worship, enlightenment wisdom of life and life reflect humanistic care, merger and imagine the aesthetic value, under the vision of globalization break the local national culture interpretation the speculative value of threshold and CCTV documentary into the sensory stimulation of the five processes. NHK that CCTV documentary has a unique aesthetic value, namely the evolution of the eternal, traditional Chinese aesthetics under the care of CCTV documentary film has its own value appeal:audio-visual perception level, CCTV documentary of audio-visual language to build the Chinese artistic conception, theme level, pay attention to the "nature and humanity" and "Confucianism, Taoism and Buddhism" sublimation of art philosophy level, belong to the type of aesthetic intuition, and pay attention to "writing carry doctrine" on. Finally, reflect the aesthetic value of the existing CCTV, outlook for the future trend, including the central television documentary aesthetic value of the underlying aesthetics of up in the air, the bottom line for documentary aesthetics and broken, and its possible future strong international perspectives and exploration.
Keywords/Search Tags:China central television (CCTV), Documentary, Form, Aesthetic value, evolution
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