Researching Of Buddhism Seating Furniture In Song Dynasty

Buddhism seating furniture in song dynasty has particularity in the study of the song dynasty furniture research, which can reveal the seating furnitures' design cultural features,production characteristics, functional status, aesthetic consciousness.Select some representative samples of furniture images in song dynasty. For example, " li gong-ling's wei mo yan jiao tu ", the northern song dynasty Su Hanchen's "luo han ce ye", the southern song dynasty Zhou Ji chang's "wu bai luo han · ying sheng guan yin tu", the song dynasty anonymous "luo han tu", southern song dynasty anonymous "liu zhi guan yin xiang",the southern song dynasty anonymous "xiao yi zhuan lan ting tu", the southern song dynasty Liu Songnian's "tian nü xian hua tu", the southern song dynasty Liu Songnian's "bu na tu", the southern song dynasty Liu Songnian "nian cha tu", the southern song dynasty Lu Xinzhong "di zang shi wang tu", Li Song "luo han tu". Then, by using the modern image study methods and combining the existing achievements of the archaeological research, furniture culture and the research process the history of arts. Explaining painting subjects on the basis of analysis the modelling in these pictures, materials, production, decoration, such as aesthetic features and characteristics.Based on the research shows: 1. The high class furniture of "high" in song dynasty Buddhism furniture has a double meaning. One is refers to the ordinary furniture can pedal while sitting, the second is "high" to highlight the special status of subject to make their hosts of visitors expansion and displayed high furniture in buddhist art image. 2 Custom's of high sit gradually gaining popularity in song dynasty, but low sit custom still continue. 3.The aesthetic diversification in song dynasty buddhist furniture.4. The furniture's material of whole song dynasty buddhism is given priority to cork.