Study On Yuan Hongdao’s Xiao Jade Hall Sets

Yuan Hongdao is late Ming dynasty famous litterateur and lay buddhists.Academic circles generally in the twenty-seventh year of wanli winter Yuan Hongdao from the western theory of closed bounded, his literary thought and Buddhism thought can be divided into two periods before and after.Early, he advocated heavy waste of enlightenment in Buddhism zen, literary advocates the wrist "message", "alone express temperament";Later, he used the heart pure land, literature on heavy "quality" "light", pay attention to imitating the predecessors.Wanli 28 years autumn Yuan Hongdao back to GongAn liulang lake, began six years on life, during which created the Xiao jade hall sets.This paper adopts the research method of the "literati small set" from zen, land Buddhism, Confucianism and interesting late Ming dynasty from four aspects to study Xiao jade hall sets, examines Yuan Hongdao literary thought and Buddhism thought before the late transformation of the specific process, and the shift of his life, mentality and the influence of the literary creation.Yuan Hongdao during the retreat to the negation of the pure land buddhist drift like a bitter zen "practice mode, with" common heart is the way to realize the physical, to transport water and move firewood put his ideas into work to practice.He repeatedly in the "Xiao jade hall sets" the shadow of writing, mail, case-solving zen is the influence of zen Buddhism on his literary creation.The Xiao jade hall set various recording mystery and preach karma prose embodies the jodo’s influence on his literary creation.His dharma during he prowled the thoughts and behavior reflects the influence of pure land Buddhism.Later, he prowled the Yuan Hongdao lay buddhists color fade, identity of Confucian scholar identity is growing.When he has a keen interest in on du fu, he frequently in this period of poems of du fu poetics and consciously learning du fu’s poetry.Yuan Hongdao during the break in the mountain water, daily life, for women, and aesthetic characteristics of wealthy individuals in both the plants and trees, and also reflects the unique interesting late Ming dynasty.