Research On The "Ornamental" Of Optic In Oil Painting Creation

Because of the existence of light, the world become colorful, all painting foundation is because of the existence of light with shadow and painting through the perception of the light used to create amazing artistic image, light is not only the image and texture of the object of artistic expression techniques, but also a work of art the inner feelings of communication carriers. The so-called "decorative lighting" is the light when the screen as part of the purpose of decorative painting, so that light is no longer a lonely individual, but a part of the picture. Light decoration, in the way of painting, light and shadow as to a picture of the auxiliary, becoming a part of the picture is an indispensable, light can be real, virtual, contrary to the laws of nature, as long as they can in order to create a better picture of the atmosphere, artists are just bold using its existence, for artists not only to understand the light and shade of meaning, but also to learn how clever use of light and the picture processing into different screen effects.Early in the oil painting art, the decorative lighting in the performance of the picture is out of shape of body, and in the later painting art, due to the emergence of Impressionism, people’s study of light and shadow have a qualitative leap, from once the light and color separation to now light and color uniform, the artist began to pay attention to the works of the decorative effect of the realistic rather than blindly, light decoration effect in this also reached good continuation. The Impressionist after a small school Nabis painting master EdouardVuillard, through the analysis of the different time periods of his paintings, in order to discuss the painting light and shadow "decorative" unique aesthetic and decorative context. Decorative beauty to show the charm of media into the use and understanding of the rules in spirit of the freedom of expression of emotion, the expression of light and shadow in Olivia’s works not only inherited prior art also conveys a modern painting in the art of Vuillard’s paintings, light and decoration coexist, the real artists from lines, drawing, details of the prison released out, the inheritance of light and color, he used his unique way to make light of the decorative picture, a picture of a corner, create a picture of beauty and hair, artists use different techniques of light and shadow in the picture to the viewer’s visual enjoyment, more specific interpretation of the shadow of the real connotation.